Tempo in Fourteenth-Century Music ("ars nova")

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F17%3AN0000079" target="_blank" >RIV/61384984:51110/17:N0000079 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.acecs.cz/medren2017/index.php" target="_blank" >http://www.acecs.cz/medren2017/index.php</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Tempo in Fourteenth-Century Music ("ars nova")

Popis výsledku v původním jazyce

In Middle Ages it was very important to understand division in which the music was written down. According to this it was possible to determinate right tempo for interpretation. Determining of tempo of performed composition by preservation of interrelations arising from different division of higher on lower note values is not as simple as that of the contemporary transcription might at first glance seem. Brevis (it means in contemporary transcription one bar) is considered as one beat. The composition should pulsate on full bars, not only on separate beats in the bar. According to medieval sources (Johannes Verulus, Philippe de Vitry, Marchettus da Padua) we are able to state precisely duration of French brevis in tempus perfectum minimum (Italian divisio ternaria) as 1/72 of minute, i.e. metronome’s value of brevis (one bar in contemporary transcription) = 72 MM. On the basis of exact descriptions of brevis divisions in different temporibus we can easily calculate also other tempo values.

Název v anglickém jazyce

Tempo in Fourteenth-Century Music ("ars nova")

Popis výsledku anglicky

In Middle Ages it was very important to understand division in which the music was written down. According to this it was possible to determinate right tempo for interpretation. Determining of tempo of performed composition by preservation of interrelations arising from different division of higher on lower note values is not as simple as that of the contemporary transcription might at first glance seem. Brevis (it means in contemporary transcription one bar) is considered as one beat. The composition should pulsate on full bars, not only on separate beats in the bar. According to medieval sources (Johannes Verulus, Philippe de Vitry, Marchettus da Padua) we are able to state precisely duration of French brevis in tempus perfectum minimum (Italian divisio ternaria) as 1/72 of minute, i.e. metronome’s value of brevis (one bar in contemporary transcription) = 72 MM. On the basis of exact descriptions of brevis divisions in different temporibus we can easily calculate also other tempo values.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

45th Medieval and Renaissance Music Conference

ISBN

978-80-87773-48-2

ISSN

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e-ISSN

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Počet stran výsledku

2

Strana od-do

108-109

Název nakladatele

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Místo vydání

Praha

Místo konání akce

Praha

Datum konání akce

8. 7. 2017

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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