How much for a Dancer? Culture Policy in Japan and Czech Republic

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

How much for a Dancer? Culture Policy in Japan and Czech Republic

Popis výsledku v původním jazyce

This paper offers a view on a different approach towards a dancer's career in two very dissimilar countries> on one hand Japan, an economic predator at the end of the last century, but suffering under an economic crisis from the beginning of the new century` and the Czech Republic, a post/communist country, caught up in capitalist fever from the 1990s on the other. The government's approach towards culture and dance in these two countries not only has a different history and nature but also presents a different take on the ideal future development in its respective dance scenes. The level of support from the state budget echoes in all the fields of a professional dance career, dance art, and the education of the public towards dance. The message of the statistical data is clear: the production of an enormous number of well-trained and expensive educated dancers with no jobs for them in Japan, and a lack of good dancers ready to fill state-supported theater companies in the Czech Republic (that gladly employ Japanese dancers). The paradigm leaves a big exclamation mark on the huge influence the policy has on dance in society, and a question mark on the ideal situation. Published IN: Vivien Apjok - Kinga Povedák - Vivien Szőnyi - Sándor Varga (eds.): Dance, Age and Politics. Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology. Szeged - Budapest: Department of Ethnology and Cultural Anthropology / Hungarian Association for Ethnochoreology / Institute for Musicology. ISBN 978-615-5167-34-8. 2021

Název v anglickém jazyce

How much for a Dancer? Culture Policy in Japan and Czech Republic

Popis výsledku anglicky

This paper offers a view on a different approach towards a dancer's career in two very dissimilar countries> on one hand Japan, an economic predator at the end of the last century, but suffering under an economic crisis from the beginning of the new century` and the Czech Republic, a post/communist country, caught up in capitalist fever from the 1990s on the other. The government's approach towards culture and dance in these two countries not only has a different history and nature but also presents a different take on the ideal future development in its respective dance scenes. The level of support from the state budget echoes in all the fields of a professional dance career, dance art, and the education of the public towards dance. The message of the statistical data is clear: the production of an enormous number of well-trained and expensive educated dancers with no jobs for them in Japan, and a lack of good dancers ready to fill state-supported theater companies in the Czech Republic (that gladly employ Japanese dancers). The paradigm leaves a big exclamation mark on the huge influence the policy has on dance in society, and a question mark on the ideal situation. Published IN: Vivien Apjok - Kinga Povedák - Vivien Szőnyi - Sándor Varga (eds.): Dance, Age and Politics. Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology. Szeged - Budapest: Department of Ethnology and Cultural Anthropology / Hungarian Association for Ethnochoreology / Institute for Musicology. ISBN 978-615-5167-34-8. 2021

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů