From solitaires to solitaires. Real-time choreography in the Czech context

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F23%3AN0000007" target="_blank" >RIV/61384984:51110/23:N0000007 - isvavai.cz</a>

Výsledek na webu

<a href="https://arteacta.cz/from-solitaires-to-solitaires-real-time-choreography-in-the-czech-context/" target="_blank" >https://arteacta.cz/from-solitaires-to-solitaires-real-time-choreography-in-the-czech-context/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

From solitaires to solitaires. Real-time choreography in the Czech context

Popis výsledku v původním jazyce

The authors present the second part of a two-part series in which they introduce the phenomenon of dance improvisation and instant composition (real-time choreography). In the first part, they introduced to the Czech readers (in Czech) for the first time the context and historical development of this artistic discipline. In the second part, they focus on how the postmodern stage format of instant composition progressed onto the Czechoslovakian and later the Czech artistic scene in the 1990s and 2000s. Through a concrete selection of individual Czech and Slovakian artists, companies, performances, projects, and festivals, the authors map the Czech context and show how this discipline was developed and how it is understood. This study brings for the first time in the Czech context an overview of key players of dance improvisation. The authors attempt to join the international dialogue in the field and suggest further possibilities for research.

Název v anglickém jazyce

From solitaires to solitaires. Real-time choreography in the Czech context

Popis výsledku anglicky

The authors present the second part of a two-part series in which they introduce the phenomenon of dance improvisation and instant composition (real-time choreography). In the first part, they introduced to the Czech readers (in Czech) for the first time the context and historical development of this artistic discipline. In the second part, they focus on how the postmodern stage format of instant composition progressed onto the Czechoslovakian and later the Czech artistic scene in the 1990s and 2000s. Through a concrete selection of individual Czech and Slovakian artists, companies, performances, projects, and festivals, the authors map the Czech context and show how this discipline was developed and how it is understood. This study brings for the first time in the Czech context an overview of key players of dance improvisation. The authors attempt to join the international dialogue in the field and suggest further possibilities for research.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

ArteActa

ISSN

2571-1695

e-ISSN

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Svazek periodika

neuveden

Číslo periodika v rámci svazku

10

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

24

Strana od-do

1-24

Kód UT WoS článku

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EID výsledku v databázi Scopus

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