Rhizomatic Abstraction: Composing Music to Investigate Memory Patterns among Listeners

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F25%3AN0000011" target="_blank" >RIV/61384984:51110/25:N0000011 - isvavai.cz</a>

Výsledek na webu

<a href="https://arteacta.cz/en/artkey/ara-202502-0009_rhizomatic-abstraction-composing-music-to-investigate-memory-patterns-among-listeners.php" target="_blank" >https://arteacta.cz/en/artkey/ara-202502-0009_rhizomatic-abstraction-composing-music-to-investigate-memory-patterns-among-listeners.php</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Rhizomatic Abstraction: Composing Music to Investigate Memory Patterns among Listeners

Popis výsledku v původním jazyce

What makes an experience memorable, and what is it exactly that we recall when we remember a moment in time? What do we, as listeners, recall after a listening experience? To understand this question, one must become acquainted with how we process aural stimuli. In recent history, there have been inspiring developments in the realm of music and memory, including neurocognitive experiments that might not have been possible earlier. These experiments and research have opened the door to a common thought: Can composers utilize the information from this research in their compositional process, and, if so, to what degree? The implications of psychoacoustic and cognitive research on the creation of contemporary music are at the heart of the fixed-media electroacoustic sound installation entitled Rhizome, which is the subject of this study. It provides a brief exposition of research on expectation, consonance, dissonance, rhythm, and time, and presents the details of the listening experiment and the composition of Rhizome.

Název v anglickém jazyce

Rhizomatic Abstraction: Composing Music to Investigate Memory Patterns among Listeners

Popis výsledku anglicky

What makes an experience memorable, and what is it exactly that we recall when we remember a moment in time? What do we, as listeners, recall after a listening experience? To understand this question, one must become acquainted with how we process aural stimuli. In recent history, there have been inspiring developments in the realm of music and memory, including neurocognitive experiments that might not have been possible earlier. These experiments and research have opened the door to a common thought: Can composers utilize the information from this research in their compositional process, and, if so, to what degree? The implications of psychoacoustic and cognitive research on the creation of contemporary music are at the heart of the fixed-media electroacoustic sound installation entitled Rhizome, which is the subject of this study. It provides a brief exposition of research on expectation, consonance, dissonance, rhythm, and time, and presents the details of the listening experiment and the composition of Rhizome.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

ArteActa

ISSN

2788-2810

e-ISSN

—

Svazek periodika

2025

Číslo periodika v rámci svazku

14

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

20

Strana od-do

nestrankovano

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—