Dramaturgy and research in devised theatre

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F23%3AN0000044" target="_blank" >RIV/61384984:51210/23:N0000044 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Dramaturgy and research in devised theatre

Popis výsledku v původním jazyce

The book deals with the research process and the role of the dramaturg in original non-interpretive theatre and consists of two parts. The Interviews chapter focuses on the creative process with an emphasis on the method of "devising" (collective authoring). In it, Synne Behrndt combines interviews with artists and theoretical perspectives to gather arguments for the claim that devising and performance are themselves research, and discusses the role of the dramaturg in this process. Sodja Zupanc Lotker’s text describes theatre projects ranging from contemporary dance to drama to site-specific, audio projects, performative perfumes and performance auctions. These often begin with a theme, a question or an experience. He sees dramaturgy in this process as a dynamic process in which the project emerges to the audience. The performance is a kind of projection screen, offered to the audience for collaborative reflection, endless, constantly bringing new stimuli, new experiences. Dramaturgy is then the network of stimuli from which this thinking emerges.

Název v anglickém jazyce

Dramaturgy and research in devised theatre

Popis výsledku anglicky

The book deals with the research process and the role of the dramaturg in original non-interpretive theatre and consists of two parts. The Interviews chapter focuses on the creative process with an emphasis on the method of "devising" (collective authoring). In it, Synne Behrndt combines interviews with artists and theoretical perspectives to gather arguments for the claim that devising and performance are themselves research, and discusses the role of the dramaturg in this process. Sodja Zupanc Lotker’s text describes theatre projects ranging from contemporary dance to drama to site-specific, audio projects, performative perfumes and performance auctions. These often begin with a theme, a question or an experience. He sees dramaturgy in this process as a dynamic process in which the project emerges to the audience. The performance is a kind of projection screen, offered to the audience for collaborative reflection, endless, constantly bringing new stimuli, new experiences. Dramaturgy is then the network of stimuli from which this thinking emerges.

Druh

B - Odborná kniha

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-80-7331-657-0

Počet stran knihy

76

Název nakladatele

NAMU

Místo vydání

Praha

Kód UT WoS knihy

—