Radovan Lukavský and the Stanislavsky’s method of an actor’s work

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F23%3AN0000078" target="_blank" >RIV/61384984:51210/23:N0000078 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/20567790.2023.2257716?scroll=top&needAccess=true" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/20567790.2023.2257716?scroll=top&needAccess=true</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/20567790.2023.2257716" target="_blank" >10.1080/20567790.2023.2257716</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Radovan Lukavský and the Stanislavsky’s method of an actor’s work

Popis výsledku v původním jazyce

Radovan Lukavský (1919–2008) was an important representative of modern Czech acting, a long-time National Theatre drama ensemble member in Prague, and a teacher at the Academy of Performing Arts in Prague (AMU). As a teacher, he persistently espoused the legacy of Konstantin Sergeyevich Stanislavsky. Lukavský made considerable efforts to defend the latter’s ideas against the “vulgarization” that had infested Czech theatre and the Theatre faculty of AMU at the beginning of the 1950s, as a clash took place between the socialist-realist ideologisation and the creative interpretation of the Stanislavsky “System.” In this essay, the author draws attention to Lukavský’s approach to Stanislavsky’s methods and the basic principles Lukavský addressed in other professional publications and studies.

Název v anglickém jazyce

Radovan Lukavský and the Stanislavsky’s method of an actor’s work

Popis výsledku anglicky

Radovan Lukavský (1919–2008) was an important representative of modern Czech acting, a long-time National Theatre drama ensemble member in Prague, and a teacher at the Academy of Performing Arts in Prague (AMU). As a teacher, he persistently espoused the legacy of Konstantin Sergeyevich Stanislavsky. Lukavský made considerable efforts to defend the latter’s ideas against the “vulgarization” that had infested Czech theatre and the Theatre faculty of AMU at the beginning of the 1950s, as a clash took place between the socialist-realist ideologisation and the creative interpretation of the Stanislavsky “System.” In this essay, the author draws attention to Lukavský’s approach to Stanislavsky’s methods and the basic principles Lukavský addressed in other professional publications and studies.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Stanislavski studies : practice, legacy and contemporary theater

ISSN

2056-7790

e-ISSN

2054-4170

Svazek periodika

11

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

20

Strana od-do

153-172

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85171647582