Redefining the Political in Emerging Democracy: Czech Theatre after 1989

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F24%3AN0000116" target="_blank" >RIV/61384984:51210/24:N0000116 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.artun.ee/en/calendar/cultural-heterologies-and-democracy-ii-transitions-and-transformations-in-post-socialist-cultures-in-the-1980s-and-1990s/" target="_blank" >https://www.artun.ee/en/calendar/cultural-heterologies-and-democracy-ii-transitions-and-transformations-in-post-socialist-cultures-in-the-1980s-and-1990s/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Redefining the Political in Emerging Democracy: Czech Theatre after 1989

Popis výsledku v původním jazyce

The paper drew on Christopher Balme’s concept of the theatrical public sphere to argue that the relation of the early 1990s Czech theatre to the public sphere was less distant and insignificant than commonly assumed. Radka Kunderová also argued that rather than completely disappearing from Czech stages, the theatre makers were struggling to redefine the nature of performing the political in the new, post-communist social situation when top of the agenda was construction of a democratic capitalist state. Inspired by Chantal Mouffe’s reflections on antagonism and agonism, the paper examined how performing the political was redefined in the early 1990s Czech “postmodernist” theatre and how social issues performed on stage resonated (or failed to do so) with theatre audiences and the wider public sphere. // Cultural Heterologies and Democracy II. Transitions and Transformations in Post-Socialist Cultures in the 1980s and 1990s, 26–27 June 2024, Estonian Academy of Arts, Tallinn, Estonia

Název v anglickém jazyce

Redefining the Political in Emerging Democracy: Czech Theatre after 1989

Popis výsledku anglicky

The paper drew on Christopher Balme’s concept of the theatrical public sphere to argue that the relation of the early 1990s Czech theatre to the public sphere was less distant and insignificant than commonly assumed. Radka Kunderová also argued that rather than completely disappearing from Czech stages, the theatre makers were struggling to redefine the nature of performing the political in the new, post-communist social situation when top of the agenda was construction of a democratic capitalist state. Inspired by Chantal Mouffe’s reflections on antagonism and agonism, the paper examined how performing the political was redefined in the early 1990s Czech “postmodernist” theatre and how social issues performed on stage resonated (or failed to do so) with theatre audiences and the wider public sphere. // Cultural Heterologies and Democracy II. Transitions and Transformations in Post-Socialist Cultures in the 1980s and 1990s, 26–27 June 2024, Estonian Academy of Arts, Tallinn, Estonia

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů