Reflections on sonic digital unreality

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F19%3AN0000135" target="_blank" >RIV/61384984:51310/19:N0000135 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/14626268.2019.1653929" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/14626268.2019.1653929</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/14626268.2019.1653929" target="_blank" >10.1080/14626268.2019.1653929</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Reflections on sonic digital unreality

Popis výsledku v původním jazyce

This paper explores the possibility of constructing an unreal environment through sound, particularly through the use of contemporary digital tools. The idea of the unreal is approached as a not being-in-the-world experience. That is, an experience which expands the natural embodied physicality. And yet, sound propagation through a physical space, which led to the study of reverberation and spatialization as the main subjects of interest. Consequently, reverb became the main tool to explore the subject in practice. Due to the project’s multidisciplinarity, the subject had different approaches: from the possibility of reverb as a tool for fiction-making, to listener’s comprehensibility and readability of the events; exploring spatialization techniques and multichannel reproduction systems to finally conclude with the idea that, in the end, sound relies on the listener’s actual physical experience of the space.

Název v anglickém jazyce

Reflections on sonic digital unreality

Popis výsledku anglicky

This paper explores the possibility of constructing an unreal environment through sound, particularly through the use of contemporary digital tools. The idea of the unreal is approached as a not being-in-the-world experience. That is, an experience which expands the natural embodied physicality. And yet, sound propagation through a physical space, which led to the study of reverberation and spatialization as the main subjects of interest. Consequently, reverb became the main tool to explore the subject in practice. Due to the project’s multidisciplinarity, the subject had different approaches: from the possibility of reverb as a tool for fiction-making, to listener’s comprehensibility and readability of the events; exploring spatialization techniques and multichannel reproduction systems to finally conclude with the idea that, in the end, sound relies on the listener’s actual physical experience of the space.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60500 - Other Humanities and the Arts

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Digital Creativity

ISSN

1462-6268

e-ISSN

1744-3806

Svazek periodika

30

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

10

Strana od-do

196-205

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85071029614