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Satirical Approach to Shoah Business and the Cult of Victimhood

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F19%3AA20021ER" target="_blank" >RIV/61988987:17250/19:A20021ER - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://www.mdpi.com/2313-5778/3/4/51" target="_blank" >https://www.mdpi.com/2313-5778/3/4/51</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.3390/genealogy3040051" target="_blank" >10.3390/genealogy3040051</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Satirical Approach to Shoah Business and the Cult of Victimhood

  • Popis výsledku v původním jazyce

    This paper sets out to demonstrate the changes that post-Holocaust fiction has been undergoing since around the turn of the new millennium. It analyzes the highly innovative and often provocative approaches to the Holocaust and its memory found in Tova Reich’s novel My Holocaust—a scathing satire on the personal and institutional exploitation of Holocaust commemoration, manifested in the commodification of the historical trauma in what has been termed “Shoah business”. The novel can be seen as a reaction to the increasing appropriation of the Holocaust by popular culture. This paper focuses on Reich’s critical response to the cult of victimhood and the unhealthy competition for Holocaust primacy, corresponding with the growth of a “victim culture”. It also explores other thematic aspects of the author’s satire—the abuse of the term “Holocaust” for personal, political and ideological purposes; attempts to capitalize on the suffering of millions of victims; the trivialization of this tragedy; conflicts between particularists and universalists in their attitude to the Shoah; and criticism of Holocaust-centered Judaism. The purpose of this paper is to show how Tova Reich has enriched post-Holocaust fiction by presenting a comic treatment of false victimary discourse, embodied by a fraudulent survivor and a whole gallery of inauthentic characters. This paper highlights the novel’s originality, which enables it to step outside the frame of traditional Holocaust fiction.

  • Název v anglickém jazyce

    Satirical Approach to Shoah Business and the Cult of Victimhood

  • Popis výsledku anglicky

    This paper sets out to demonstrate the changes that post-Holocaust fiction has been undergoing since around the turn of the new millennium. It analyzes the highly innovative and often provocative approaches to the Holocaust and its memory found in Tova Reich’s novel My Holocaust—a scathing satire on the personal and institutional exploitation of Holocaust commemoration, manifested in the commodification of the historical trauma in what has been termed “Shoah business”. The novel can be seen as a reaction to the increasing appropriation of the Holocaust by popular culture. This paper focuses on Reich’s critical response to the cult of victimhood and the unhealthy competition for Holocaust primacy, corresponding with the growth of a “victim culture”. It also explores other thematic aspects of the author’s satire—the abuse of the term “Holocaust” for personal, political and ideological purposes; attempts to capitalize on the suffering of millions of victims; the trivialization of this tragedy; conflicts between particularists and universalists in their attitude to the Shoah; and criticism of Holocaust-centered Judaism. The purpose of this paper is to show how Tova Reich has enriched post-Holocaust fiction by presenting a comic treatment of false victimary discourse, embodied by a fraudulent survivor and a whole gallery of inauthentic characters. This paper highlights the novel’s originality, which enables it to step outside the frame of traditional Holocaust fiction.

Klasifikace

  • Druh

    J<sub>ost</sub> - Ostatní články v recenzovaných periodicích

  • CEP obor

  • OECD FORD obor

    60206 - Specific literatures

Návaznosti výsledku

  • Projekt

  • Návaznosti

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Ostatní

  • Rok uplatnění

    2019

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Genealogy

  • ISSN

    2313-5778

  • e-ISSN

  • Svazek periodika

    3

  • Číslo periodika v rámci svazku

    4

  • Stát vydavatele periodika

    CH - Švýcarská konfederace

  • Počet stran výsledku

    11

  • Strana od-do

    51

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus