Šalda´s Struggle for Synthesis in Modern Art in the Context of Slavonic Literary Criticism

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17250%2F23%3AA2402KVT" target="_blank" >RIV/61988987:17250/23:A2402KVT - isvavai.cz</a>

Výsledek na webu

<a href="https://bohemistyka.pl/" target="_blank" >https://bohemistyka.pl/</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.14746/bo.2023.3.9" target="_blank" >10.14746/bo.2023.3.9</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Šalda´s Struggle for Synthesis in Modern Art in the Context of Slavonic Literary Criticism

Popis výsledku v původním jazyce

The study is focused on a significant feature of critical and art work of František Xaver Šalda, which was the idea of unity and integration, the idea of cultural organism, formed by ripening of the European spirit, understanding the art as an aesthetic incarnation of spirituality, the idea of creative efforts of life as the basic orientation of art and the idea of freedom of the art individuality, understood in the integral sense of the word and embodying a higher form of life. It was Šalda who opened the way to relating of art and life, the way to deeper understanding of art creation and its final settling into a broader meaning complex. According to Šalda, the creative life became a basic criterion for searching of sense of art work. The meaning of art and art criticism lies in their possibilities to bring life to self-awareness, self-understanding. According to Šalda the art is seen as a concentrated, multiplied, and increased demonstration of life, through its means we can finally learn about its motion and creative direction.

Název v anglickém jazyce

Šalda´s Struggle for Synthesis in Modern Art in the Context of Slavonic Literary Criticism

Popis výsledku anglicky

The study is focused on a significant feature of critical and art work of František Xaver Šalda, which was the idea of unity and integration, the idea of cultural organism, formed by ripening of the European spirit, understanding the art as an aesthetic incarnation of spirituality, the idea of creative efforts of life as the basic orientation of art and the idea of freedom of the art individuality, understood in the integral sense of the word and embodying a higher form of life. It was Šalda who opened the way to relating of art and life, the way to deeper understanding of art creation and its final settling into a broader meaning complex. According to Šalda, the creative life became a basic criterion for searching of sense of art work. The meaning of art and art criticism lies in their possibilities to bring life to self-awareness, self-understanding. According to Šalda the art is seen as a concentrated, multiplied, and increased demonstration of life, through its means we can finally learn about its motion and creative direction.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Bohemistyka

ISSN

1642-9893

e-ISSN

—

Svazek periodika

—

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

19

Strana od-do

445-464

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85174005919