Oriental Music as a Part of the European Collective Consciousness

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Oriental Music as a Part of the European Collective Consciousness

Popis výsledku v původním jazyce

The idea of the essence of European (Euro-Atlantic) art music has undergone many changes in the course of its historic development to date. Despite its varied cultural manifestations of musical expression this music culture has obviously never been closed to influences from outside Europe. This text deals with selected variants of the interpretation of European music culture as a complex and dynamic system whose historic as well as present form has been affected by the Orient, and by elements of Oriental music as presented in compositions by Western composers. I follow here general principles and cultural movements contributing to the development of European composers idea of the Orient and its reflection in their music. My methodological basis is the current reflection on Orientalism in musicology, and an application of the theory of archetypes of Carl Gustav Jung (1875 - 1961) and the subsequent Jungian tradition.

Název v anglickém jazyce

Oriental Music as a Part of the European Collective Consciousness

Popis výsledku anglicky

The idea of the essence of European (Euro-Atlantic) art music has undergone many changes in the course of its historic development to date. Despite its varied cultural manifestations of musical expression this music culture has obviously never been closed to influences from outside Europe. This text deals with selected variants of the interpretation of European music culture as a complex and dynamic system whose historic as well as present form has been affected by the Orient, and by elements of Oriental music as presented in compositions by Western composers. I follow here general principles and cultural movements contributing to the development of European composers idea of the Orient and its reflection in their music. My methodological basis is the current reflection on Orientalism in musicology, and an application of the theory of archetypes of Carl Gustav Jung (1875 - 1961) and the subsequent Jungian tradition.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

The Orient in Music - Music of the Orient

ISBN

978-1-5275-0295-6

ISSN

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e-ISSN

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Počet stran výsledku

14

Strana od-do

13-26

Název nakladatele

Cambridge Scholars Publishing

Místo vydání

Newcastle upon Tyne

Místo konání akce

Grażyna and Kiejstut Academy of Music in Łódź

Datum konání akce

10. 3. 2016

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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