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The Myth of Globalization and Contemporary Musical Culture

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F18%3AA1901RET" target="_blank" >RIV/61988987:17450/18:A1901RET - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Myth of Globalization and Contemporary Musical Culture

  • Popis výsledku v původním jazyce

    Mythology can be understood as an interpretative frame not only for ancient man, but also for many today´s phenomena: music, globalisation, cultural and art diversity. Music has the ability to express an archetypal content (according the analytical psychology by Carl Gustav Jung) through the process of symbolisation and this general base is communicated by different cultures. In this contribution we will point out possible bindings of the collective conscious and collective unconscious, archetypes in different meanings in the relations to the contemporary global music culture. The illusion of globalisation as the current state of music culture in general is identified on several examples: alienation and disturbed identity with the tradition and identification with our native culture, superficial enchantment by "foreign", incompetence of hermeneutic understanding, the lack of numinosity in contact with art. Also, there is a significant contrast between the global music culture (as a mass culture) and global contemporary music, which is reserved to a narrow social group (with ideological background) with request of high educational competence. Global music culture is therefore understood as a complex existence of many cultural areas with different level of separation. On the other hand, the global music culture is an example of the process called expansion of the collective conscious with a positive effect. Our connection with cultural roots is archetypical, a deeper understanding of our own culture is an assumption for our ability to understand and live in our global village.

  • Název v anglickém jazyce

    The Myth of Globalization and Contemporary Musical Culture

  • Popis výsledku anglicky

    Mythology can be understood as an interpretative frame not only for ancient man, but also for many today´s phenomena: music, globalisation, cultural and art diversity. Music has the ability to express an archetypal content (according the analytical psychology by Carl Gustav Jung) through the process of symbolisation and this general base is communicated by different cultures. In this contribution we will point out possible bindings of the collective conscious and collective unconscious, archetypes in different meanings in the relations to the contemporary global music culture. The illusion of globalisation as the current state of music culture in general is identified on several examples: alienation and disturbed identity with the tradition and identification with our native culture, superficial enchantment by "foreign", incompetence of hermeneutic understanding, the lack of numinosity in contact with art. Also, there is a significant contrast between the global music culture (as a mass culture) and global contemporary music, which is reserved to a narrow social group (with ideological background) with request of high educational competence. Global music culture is therefore understood as a complex existence of many cultural areas with different level of separation. On the other hand, the global music culture is an example of the process called expansion of the collective conscious with a positive effect. Our connection with cultural roots is archetypical, a deeper understanding of our own culture is an assumption for our ability to understand and live in our global village.

Klasifikace

  • Druh

    D - Stať ve sborníku

  • CEP obor

  • OECD FORD obor

    60400 - Arts (arts, history of arts, performing arts, music)

Návaznosti výsledku

  • Projekt

  • Návaznosti

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Ostatní

  • Rok uplatnění

    2018

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název statě ve sborníku

    Music Glocalization. Heritage and Innovation in a Digital Age

  • ISBN

    978-1-5275-0393-9

  • ISSN

  • e-ISSN

  • Počet stran výsledku

    20

  • Strana od-do

    32-51

  • Název nakladatele

    Cambridge Scholars Publishing

  • Místo vydání

    Newcastle upon Tyne

  • Místo konání akce

    Poznań, Poland

  • Datum konání akce

    1. 1. 2015

  • Typ akce podle státní příslušnosti

    WRD - Celosvětová akce

  • Kód UT WoS článku