JANÁČEK’S THEORETICAL VIEWS ON SČASOVÁNÍ (MUSICAL EVENTS IN TIME) AND THEIR PROJECTIONS IN HIS COMPOSITIONAL PRACTICE

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17450%2F20%3AA210263I" target="_blank" >RIV/61988987:17450/20:A210263I - isvavai.cz</a>

Výsledek na webu

<a href="http://www.hudebniveda.cz" target="_blank" >http://www.hudebniveda.cz</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

JANÁČEK’S THEORETICAL VIEWS ON SČASOVÁNÍ (MUSICAL EVENTS IN TIME) AND THEIR PROJECTIONS IN HIS COMPOSITIONAL PRACTICE

Popis výsledku v původním jazyce

Janáček’s lifelong pursuits encompassed many areas including, apart from his artistic career (composing, conducting, etc.) and teaching at various types of schools, also ventures into the spheres of music theory, folklore studies, and literary work. As a musicologist, he focused notably on the subject of chords and the part of time in their combinations (theory of harmony), and on sčasování, a term Janáček associated primarily with rhythm, though his theoretical concept likewise involved, in addition to tone lengths, the aspect of their dynamism (which assigns to the concept of sčasování a broader meaning, as relating to various phenomena in the field of temporal articulation, and therefore also involving such elements as metre, tempo, agogics, etc.).

Název v anglickém jazyce

JANÁČEK’S THEORETICAL VIEWS ON SČASOVÁNÍ (MUSICAL EVENTS IN TIME) AND THEIR PROJECTIONS IN HIS COMPOSITIONAL PRACTICE

Popis výsledku anglicky

Janáček’s lifelong pursuits encompassed many areas including, apart from his artistic career (composing, conducting, etc.) and teaching at various types of schools, also ventures into the spheres of music theory, folklore studies, and literary work. As a musicologist, he focused notably on the subject of chords and the part of time in their combinations (theory of harmony), and on sčasování, a term Janáček associated primarily with rhythm, though his theoretical concept likewise involved, in addition to tone lengths, the aspect of their dynamism (which assigns to the concept of sčasování a broader meaning, as relating to various phenomena in the field of temporal articulation, and therefore also involving such elements as metre, tempo, agogics, etc.).

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

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OECD FORD obor

60400 - Arts (arts, history of arts, performing arts, music)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hudební věda

ISSN

0018-7003

e-ISSN

2694-6998

Svazek periodika

57

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

36

Strana od-do

291-326

Kód UT WoS článku

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EID výsledku v databázi Scopus

2-s2.0-85092903765