'From the Monkey Mountains': The Body, the Grotesque, and Carnival in the Music of Pavel Haas

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17500%2F16%3AA1701KUM" target="_blank" >RIV/61988987:17500/16:A1701KUM - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

'From the Monkey Mountains': The Body, the Grotesque, and Carnival in the Music of Pavel Haas

Popis výsledku v původním jazyce

It has been claimed that Pavel Haas?s string quartet From the Monkey Mountains (1925) demonstrates the composer?s alignment with the ?Western? musical avant-garde of the 1920s. However, Haas?s avant-garde affiliations remain largely unexplained, as does the influence of Leoš Janáček, with whom Haas studied. Combining the methods of music analysis, semiotics and discourse analysis, I explain how Haas reconciled Janáčekian compositional technique with the ideas underpinning the contemporary Czechoslovak avant-garde movement known as Poetism. Focusing particularly on the notions of the body, the grotesque and carnival, I propose an interpretative framework for and a reading of Haas?s quartet From the Monkey Mountains. In doing so, I also illuminate the aesthetic and cultural context of Haas?s music from the 1920s, which received little attention in previous scholarship.

Název v anglickém jazyce

'From the Monkey Mountains': The Body, the Grotesque, and Carnival in the Music of Pavel Haas

Popis výsledku anglicky

It has been claimed that Pavel Haas?s string quartet From the Monkey Mountains (1925) demonstrates the composer?s alignment with the ?Western? musical avant-garde of the 1920s. However, Haas?s avant-garde affiliations remain largely unexplained, as does the influence of Leoš Janáček, with whom Haas studied. Combining the methods of music analysis, semiotics and discourse analysis, I explain how Haas reconciled Janáčekian compositional technique with the ideas underpinning the contemporary Czechoslovak avant-garde movement known as Poetism. Focusing particularly on the notions of the body, the grotesque and carnival, I propose an interpretative framework for and a reading of Haas?s quartet From the Monkey Mountains. In doing so, I also illuminate the aesthetic and cultural context of Haas?s music from the 1920s, which received little attention in previous scholarship.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of the Royal Musical Association

ISSN

0269-0403

e-ISSN

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Svazek periodika

141

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

51

Strana od-do

61-112

Kód UT WoS článku

000379622700003

EID výsledku v databázi Scopus

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