Vienna: The Place for Musical Networking of Slavs until 1861

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61988987%3A17500%2F23%3AA2402NB5" target="_blank" >RIV/61988987:17500/23:A2402NB5 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.21857/9e31lh662m" target="_blank" >http://dx.doi.org/10.21857/9e31lh662m</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.21857/9e31lh662m" target="_blank" >10.21857/9e31lh662m</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Vienna: The Place for Musical Networking of Slavs until 1861

Popis výsledku v původním jazyce

Vienna in the sense of “Musikstadt Wien” is primarily an association for musical German-language phenomena such as Hofoper, Wiener Philharmoniker, Universal Edition Mozart, Bruckner, Schönberg, Zerha, etc. Until 1918, however, Vienna was a city with a Slavic enclave of about 300,000 people, consisting mainly of Czechs and Moravians. There was intensive cooperation between representatives of the Slavic nations of the Habsburg monarchy and of the Slavic nations outside the monarchy. The local Slavic societies of various character (for example, academic, working class, social and religious), as well as the purely musical ones, generated a number of musical activities (sometimes amateur, at other times professional). Their impact was not only local, but often also influenced the development of musical culture in their homeland. The aim of the study is to focus on the societies’ activities in terms of mutual cooperation, to describe their activities in more detail and to document not only the musical form of “Slavic reciprocity”, but also controversial topics. In addition, the study aims to point out that the image of the Slavic musical Vienna was not only made up of individuals, but also of a network of societies.

Název v anglickém jazyce

Vienna: The Place for Musical Networking of Slavs until 1861

Popis výsledku anglicky

Vienna in the sense of “Musikstadt Wien” is primarily an association for musical German-language phenomena such as Hofoper, Wiener Philharmoniker, Universal Edition Mozart, Bruckner, Schönberg, Zerha, etc. Until 1918, however, Vienna was a city with a Slavic enclave of about 300,000 people, consisting mainly of Czechs and Moravians. There was intensive cooperation between representatives of the Slavic nations of the Habsburg monarchy and of the Slavic nations outside the monarchy. The local Slavic societies of various character (for example, academic, working class, social and religious), as well as the purely musical ones, generated a number of musical activities (sometimes amateur, at other times professional). Their impact was not only local, but often also influenced the development of musical culture in their homeland. The aim of the study is to focus on the societies’ activities in terms of mutual cooperation, to describe their activities in more detail and to document not only the musical form of “Slavic reciprocity”, but also controversial topics. In addition, the study aims to point out that the image of the Slavic musical Vienna was not only made up of individuals, but also of a network of societies.

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Musical Networking in the ''Long 19th Century'' / Umřežavanje glazbom u ‘dugom 19. stoljeću’. MUZIKOLOŠKI ZBORNICI BR. 25 / MUSICOLOGICAL PROCEEDINGS NO. 25.

ISBN

978-953-347-550-9

ISSN

—

e-ISSN

—

Počet stran výsledku

22

Strana od-do

435-456

Název nakladatele

Croatian Academy of Sciences and Arts

Místo vydání

Zagreb

Místo konání akce

Zagreb

Datum konání akce

2. 6. 2021

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

—