Karel Karel Škréta: Notes from the Archives in ItalyŠkréta: Notes from the Archives in Italy

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F10%3A10214220" target="_blank" >RIV/61989592:15210/10:10214220 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Karel Karel Škréta: Notes from the Archives in ItalyŠkréta: Notes from the Archives in Italy

Popis výsledku v původním jazyce

This article is made up of four disparate ?fragments? that provide information about Karel Škréta Sr. and his son during the time they spent in Italy. The name of Karel Škréta Sr. appears in the post mortem inventories of two Italian collections, both ofwhich were coincidentally drawn up in 1656, approximately two decades after Škréta?s was in Italy. The first inventory mentions two paintings by Škréta on the theme of Adam and Eve. They were owned by Michiel Pietra, a Venetian painter and collector ofGerman extract. Another painting by Škréta from his Italian period that we know of from old manuscript inventories of private collections is ?Tripudio di giocatori?, which was in the Veronese collection of Giovanni Pietro Cortoni, a Veronese lawyer and prominent collector. Both Queen Christina of Sweden and the Duke of Modena Francesco I vied to purchase Cortoni?s collection, which was ultimately acquired by the Duke of Mirandola Alessandro II Pico, who exhibited the collection in Mirand

Název v anglickém jazyce

Karel Karel Škréta: Notes from the Archives in ItalyŠkréta: Notes from the Archives in Italy

Popis výsledku anglicky

This article is made up of four disparate ?fragments? that provide information about Karel Škréta Sr. and his son during the time they spent in Italy. The name of Karel Škréta Sr. appears in the post mortem inventories of two Italian collections, both ofwhich were coincidentally drawn up in 1656, approximately two decades after Škréta?s was in Italy. The first inventory mentions two paintings by Škréta on the theme of Adam and Eve. They were owned by Michiel Pietra, a Venetian painter and collector ofGerman extract. Another painting by Škréta from his Italian period that we know of from old manuscript inventories of private collections is ?Tripudio di giocatori?, which was in the Veronese collection of Giovanni Pietro Cortoni, a Veronese lawyer and prominent collector. Both Queen Christina of Sweden and the Duke of Modena Francesco I vied to purchase Cortoni?s collection, which was ultimately acquired by the Duke of Mirandola Alessandro II Pico, who exhibited the collection in Mirand

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F0086" target="_blank" >GAP409/10/0086: Simone Gionima, monografie malíře</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Umění

ISSN

0049-5123

e-ISSN

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Svazek periodika

58

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

6

Strana od-do

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Kód UT WoS článku

000268485900001

EID výsledku v databázi Scopus

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