The Legacy of the Vortex: Popular Music as Counter-environment

Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F10%3A10218368" target="_blank" >RIV/61989592:15210/10:10218368 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Jazyk výsledku
angličtina
Název v původním jazyce
The Legacy of the Vortex: Popular Music as Counter-environment
Popis výsledku v původním jazyce
The article presents a couple of mcluhanesque reflections on popular music focusing primarily on the question whether popular music can work as a counter-environment. It begins by outlining Marshall McLuhan's media theory and by discussing its roots in Ezra Pound's ideogrammic and vorticist method. The article then examines the relationship between music and myth, drawing mainly on Lévi-Strauss' thoughts. The greatest attention is paid to exploring the media environment of Bob Dylan's songs which seem to present the most elaborate counter-environment of contemporary popular music.
Název v anglickém jazyce
The Legacy of the Vortex: Popular Music as Counter-environment
Popis výsledku anglicky
The article presents a couple of mcluhanesque reflections on popular music focusing primarily on the question whether popular music can work as a counter-environment. It begins by outlining Marshall McLuhan's media theory and by discussing its roots in Ezra Pound's ideogrammic and vorticist method. The article then examines the relationship between music and myth, drawing mainly on Lévi-Strauss' thoughts. The greatest attention is paid to exploring the media environment of Bob Dylan's songs which seem to present the most elaborate counter-environment of contemporary popular music.

Rok uplatnění
2010
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Podobné výsledky(10)