Textuality of Maps, Photographs, and Images: Visual Identity in Slavenka Drakulić's Frida's Bed

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F14%3A33150463" target="_blank" >RIV/61989592:15210/14:33150463 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Textuality of Maps, Photographs, and Images: Visual Identity in Slavenka Drakulić's Frida's Bed

Popis výsledku v původním jazyce

On the example of Slavenka Drakulić's novel Frida's Bed (Frida, ili o boli, 2007), this study examines the visual articulation of memory as one of the dominant tendencies in the contemporary Croatian women's writing. Generally characterized as a literature of displacement, during the last decades of the 20th century and the beginning of the 21st century, this literature responded to the trauma of the history and the recent wars, showing how visual memory plays an essential role in construction of fragmented, estranged, and exiled identities. Visuality here is understood as a new textual quality resulting from the transposition of visual into textual medium, which supplements "the incapacity of language to make its referents visible" (Gelley, 1987:5), and transforms traditional narratives into "interfaces" which "mobilize visual and textual regimes" (Smith; Watson: 2005:2) The intermedial techniques used in textual construction of visual identity for instance include pictorial language

Název v anglickém jazyce

Textuality of Maps, Photographs, and Images: Visual Identity in Slavenka Drakulić's Frida's Bed

Popis výsledku anglicky

On the example of Slavenka Drakulić's novel Frida's Bed (Frida, ili o boli, 2007), this study examines the visual articulation of memory as one of the dominant tendencies in the contemporary Croatian women's writing. Generally characterized as a literature of displacement, during the last decades of the 20th century and the beginning of the 21st century, this literature responded to the trauma of the history and the recent wars, showing how visual memory plays an essential role in construction of fragmented, estranged, and exiled identities. Visuality here is understood as a new textual quality resulting from the transposition of visual into textual medium, which supplements "the incapacity of language to make its referents visible" (Gelley, 1987:5), and transforms traditional narratives into "interfaces" which "mobilize visual and textual regimes" (Smith; Watson: 2005:2) The intermedial techniques used in textual construction of visual identity for instance include pictorial language

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

<a href="/cs/project/EE2.3.30.0041" target="_blank" >EE2.3.30.0041: Podpora vytváření excelentních výzkumných týmů a intersektorální mobility na Univerzitě Palackého v Olomouci II.</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Displaced Women: Multilingual Narratives of Migration in Europe

ISBN

1-4438-5528-6

Počet stran výsledku

24

Strana od-do

3-26

Počet stran knihy

215

Název nakladatele

Cambridge Scholars Publishing

Místo vydání

Newcastle

Kód UT WoS kapitoly

—