The Cognitive Model of the Vampire and Its Accommodation in the Twentieth Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F14%3A33155847" target="_blank" >RIV/61989592:15210/14:33155847 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Cognitive Model of the Vampire and Its Accommodation in the Twentieth Century

Popis výsledku v původním jazyce

By utilizing devices of cognitive science and psychology which can be found in the works of Bradd Shore, Jean Piaget, and Sigmund Freud this article strives to delineate the significance of the cognitive model of the vampire, which has found an outlet inall forms of artistic and popular expression, ranging from mainstream fiction to marginalized forms of self-expression. The article explains the ways in which the cognitive model of the vampire inhabits our cultural foundational schemas and interacts with our intersubjective realities and how it is accommodated within the changing socio-cultural context. The article briefly summarizes the history of the accommodation of the cognitive model of the vampire, starting from its early use in folklore and romantic literature and continuing on to twentieth-century pop culture. Two cultural/cognitive models are identified, each with its distinct cultural and literary tradition. One is the "antagonist" model of the vampire, with its roots in Eas

Název v anglickém jazyce

The Cognitive Model of the Vampire and Its Accommodation in the Twentieth Century

Popis výsledku anglicky

By utilizing devices of cognitive science and psychology which can be found in the works of Bradd Shore, Jean Piaget, and Sigmund Freud this article strives to delineate the significance of the cognitive model of the vampire, which has found an outlet inall forms of artistic and popular expression, ranging from mainstream fiction to marginalized forms of self-expression. The article explains the ways in which the cognitive model of the vampire inhabits our cultural foundational schemas and interacts with our intersubjective realities and how it is accommodated within the changing socio-cultural context. The article briefly summarizes the history of the accommodation of the cognitive model of the vampire, starting from its early use in folklore and romantic literature and continuing on to twentieth-century pop culture. Two cultural/cognitive models are identified, each with its distinct cultural and literary tradition. One is the "antagonist" model of the vampire, with its roots in Eas

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Moravian Journal of Literature and Film

ISSN

1803-7720

e-ISSN

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Svazek periodika

5

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

22

Strana od-do

23-44

Kód UT WoS článku

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EID výsledku v databázi Scopus

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