Mythbusting About Contemporary Non-heteronormative Mythbusting: About Contemporary Non-heteronormative Television Serials

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Mythbusting About Contemporary Non-heteronormative Mythbusting: About Contemporary Non-heteronormative Television Serials

Popis výsledku v původním jazyce

Czech television studies do not usually deal with contemporary foreign TV production. The studies also often ignore topics regarding the analysis of television text and the position of this text in the context of social and media-production phenomena. The study called Myth-Busting: Contemporary Non-Heteronormative Television Series Production focuses of the phenomenon of TV shows which work with minority identities and disrupt social norms and, therefore, deviate from the traditional TV production. Oneof the focal points is also the relation between television texts and its viewers, who reject the presented social order and try to change it via distinctive form of participation and communication with the television media. The first part of the publication addresses the issues of heteronormativity, essentialism, stereotypization, or fan fiction in the context of TV shows. The second part is a collection of case studies (Glee, Sherlock, and Spartacus).

Název v anglickém jazyce

Mythbusting About Contemporary Non-heteronormative Mythbusting: About Contemporary Non-heteronormative Television Serials

Popis výsledku anglicky

Czech television studies do not usually deal with contemporary foreign TV production. The studies also often ignore topics regarding the analysis of television text and the position of this text in the context of social and media-production phenomena. The study called Myth-Busting: Contemporary Non-Heteronormative Television Series Production focuses of the phenomenon of TV shows which work with minority identities and disrupt social norms and, therefore, deviate from the traditional TV production. Oneof the focal points is also the relation between television texts and its viewers, who reject the presented social order and try to change it via distinctive form of participation and communication with the television media. The first part of the publication addresses the issues of heteronormativity, essentialism, stereotypization, or fan fiction in the context of TV shows. The second part is a collection of case studies (Glee, Sherlock, and Spartacus).

Druh

B - Odborná kniha

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-80-244-4630-1

Počet stran knihy

92

Název nakladatele

Univerzita Palackého

Místo vydání

Olomouc

Kód UT WoS knihy

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