Understanding Britishness through the Mersey Poets

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73594078" target="_blank" >RIV/61989592:15210/18:73594078 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.irbis-nbuv.gov.ua/cgi-bin/irbis_nbuv/cgiirbis_64.exe?I21DBN=LINK&P21DBN=UJRN&Z21ID=&S21REF=10&S21CNR=20&S21STN=1&S21FMT=ASP_meta&C21COM=S&2_S21P03=FILA=&2_S21STR=apftp_2017_13_24" target="_blank" >http://www.irbis-nbuv.gov.ua/cgi-bin/irbis_nbuv/cgiirbis_64.exe?I21DBN=LINK&P21DBN=UJRN&Z21ID=&S21REF=10&S21CNR=20&S21STN=1&S21FMT=ASP_meta&C21COM=S&2_S21P03=FILA=&2_S21STR=apftp_2017_13_24</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Understanding Britishness through the Mersey Poets

Popis výsledku v původním jazyce

The British literary scene of the 1960s was very vivid and multifaceted. Although London has traditionally been considered as the literary centre of the British Isles, in the 1960s the situation changed and Liverpool, with its vibrant cultural scene, both mainstream and countercultural, provided an alternative to the metropolis. In this era, literature and music in Liverpool went hand in hand, forming a unique scene that attracted mass audience. The paper focuses on the poetry by the Mersey poets Brian Patten, Roger McGough and Adrian Henri and will examine in detail Czech translations of their poetry. It discusses not only their thematic choice and poetic technique but also the performative element that influences the interpretation of their poetry to a great extent. Last but not least, the paper looks at the close relationship between poetry on the page and the lyrics that these poets wrote for their own music bands, as well as for the Beatles.

Název v anglickém jazyce

Understanding Britishness through the Mersey Poets

Popis výsledku anglicky

The British literary scene of the 1960s was very vivid and multifaceted. Although London has traditionally been considered as the literary centre of the British Isles, in the 1960s the situation changed and Liverpool, with its vibrant cultural scene, both mainstream and countercultural, provided an alternative to the metropolis. In this era, literature and music in Liverpool went hand in hand, forming a unique scene that attracted mass audience. The paper focuses on the poetry by the Mersey poets Brian Patten, Roger McGough and Adrian Henri and will examine in detail Czech translations of their poetry. It discusses not only their thematic choice and poetic technique but also the performative element that influences the interpretation of their poetry to a great extent. Last but not least, the paper looks at the close relationship between poetry on the page and the lyrics that these poets wrote for their own music bands, as well as for the Beatles.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60204 - General literature studies

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Current issues of linguistics and translation studies

ISSN

2415-7929

e-ISSN

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Svazek periodika

2017, č.13

Číslo periodika v rámci svazku

13

Stát vydavatele periodika

UA - Ukrajina

Počet stran výsledku

6

Strana od-do

100-105

Kód UT WoS článku

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EID výsledku v databázi Scopus

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