The Early Twentieth-Century Avant-Garde and the Nordic Countries. An Introductory tour d’horizon

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73599022" target="_blank" >RIV/61989592:15210/19:73599022 - isvavai.cz</a>

Výsledek na webu

<a href="https://brill.com/view/book/edcoll/9789401208918/B9789401208918-s003.xml" target="_blank" >https://brill.com/view/book/edcoll/9789401208918/B9789401208918-s003.xml</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1163/9789401208918_003" target="_blank" >10.1163/9789401208918_003</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Early Twentieth-Century Avant-Garde and the Nordic Countries. An Introductory tour d’horizon

Popis výsledku v původním jazyce

The Nordic countries have played only a marginal role in existing historiography of the classical avant-garde in the early 20th century. Major reasons for this absence are the focus in avant-garde studies on developments in particular in France and Germany as well as the common practice in historiography of art and literature in the Nordic countries to label phenomena as &quot;modernist&quot;, which are labelled elsewhere as &quot;avant-garde&quot;. If one compares the artistic and literary practices in the Nordic countries with these avant-garde developments, not only a significant involvement of Nordic artists in the avant-garde in other parts of Europe can be observed, but also a local presence notably of a cubist and fauvist/expressionist provenance.

Název v anglickém jazyce

The Early Twentieth-Century Avant-Garde and the Nordic Countries. An Introductory tour d’horizon

Popis výsledku anglicky

The Nordic countries have played only a marginal role in existing historiography of the classical avant-garde in the early 20th century. Major reasons for this absence are the focus in avant-garde studies on developments in particular in France and Germany as well as the common practice in historiography of art and literature in the Nordic countries to label phenomena as &quot;modernist&quot;, which are labelled elsewhere as &quot;avant-garde&quot;. If one compares the artistic and literary practices in the Nordic countries with these avant-garde developments, not only a significant involvement of Nordic artists in the avant-garde in other parts of Europe can be observed, but also a local presence notably of a cubist and fauvist/expressionist provenance.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925.

ISBN

978-90-04-36173-7

Počet stran výsledku

45

Strana od-do

19-63

Počet stran knihy

680

Název nakladatele

Brill Academic Publishers

Místo vydání

Leiden

Kód UT WoS kapitoly

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