Genre Analysis in the Translation Studies Paradigm Today

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73600065" target="_blank" >RIV/61989592:15210/19:73600065 - isvavai.cz</a>

Výsledek na webu

<a href="https://revistas.usal.es/index.php/clina/article/view/clina2019523762/21735" target="_blank" >https://revistas.usal.es/index.php/clina/article/view/clina2019523762/21735</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.14201/clina2019523762" target="_blank" >10.14201/clina2019523762</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Genre Analysis in the Translation Studies Paradigm Today

Popis výsledku v původním jazyce

Genre represents a form of social interaction between writers/translators and readers/target text receivers, as readers, when exposed to a text belonging to a particular genre, anticipate a specific textual structure (cf. Mukařovský’s apperception frame or Swales’ genre knowledge). Genre is also seen as a dynamic category which may result in hybrid, mixed or embedded forms as well as altogether new ones. Despite the fact that genre analysis has enjoyed immense popularity within the last two decades across Europe, it has been overshadowed by functional stylistics, rooted in the structuralist notion of function, in the Czechoslovak stylistic tradition. The aim of this paper is thus threefold: 1) to map the development of the Czechoslovak stylistic tradition in contrast to the western tradition and comprehensively delimit terms such as genre, register and functional style; 2) to discuss the role of genre theory in the translation studies paradigm today; 3) to propose the implementation of genre analysis as a part of translation strategy since genre-consciousness or knowledge can be a powerful facilitator of the translation process.

Název v anglickém jazyce

Genre Analysis in the Translation Studies Paradigm Today

Popis výsledku anglicky

Genre represents a form of social interaction between writers/translators and readers/target text receivers, as readers, when exposed to a text belonging to a particular genre, anticipate a specific textual structure (cf. Mukařovský’s apperception frame or Swales’ genre knowledge). Genre is also seen as a dynamic category which may result in hybrid, mixed or embedded forms as well as altogether new ones. Despite the fact that genre analysis has enjoyed immense popularity within the last two decades across Europe, it has been overshadowed by functional stylistics, rooted in the structuralist notion of function, in the Czechoslovak stylistic tradition. The aim of this paper is thus threefold: 1) to map the development of the Czechoslovak stylistic tradition in contrast to the western tradition and comprehensively delimit terms such as genre, register and functional style; 2) to discuss the role of genre theory in the translation studies paradigm today; 3) to propose the implementation of genre analysis as a part of translation strategy since genre-consciousness or knowledge can be a powerful facilitator of the translation process.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60203 - Linguistics

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

CLINA

ISSN

2444-1961

e-ISSN

—

Svazek periodika

5

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

ES - Španělské království

Počet stran výsledku

26

Strana od-do

37-62

Kód UT WoS článku

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EID výsledku v databázi Scopus

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