Hollywood Film as Therapy: Hugo Haas, Trauma, and Survivor Guilt

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73601056" target="_blank" >RIV/61989592:15210/19:73601056 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333180942" target="_blank" >https://obd.upol.cz/id_publ/333180942</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.13110/jewifilmnewmedi.7.1.0001" target="_blank" >10.13110/jewifilmnewmedi.7.1.0001</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Hollywood Film as Therapy: Hugo Haas, Trauma, and Survivor Guilt

Popis výsledku v původním jazyce

The article discusses the exile cinema of Czechoslovakia-born producer, director, and actor Hugo Haas (1901–1968). As a prominent Jewish artist with strong anti-Nazi convictions, Haas was forced to escape his homeland when Hitler invaded Czechoslovakia in 1939. Deeply traumatized by losing his close relatives in the Holocaust, Haas used his independent productions made in Hollywood after World War II to cope with his feelings of loss, pain, loneliness, and dispossession. The author reads selected films, disguised as run-of-the-mill genre pieces, against the filmmaker’s personal history and identifies patterns and motives suggesting that Haas’s body of work was strongly informed by his survivor guilt and trauma.

Název v anglickém jazyce

Hollywood Film as Therapy: Hugo Haas, Trauma, and Survivor Guilt

Popis výsledku anglicky

The article discusses the exile cinema of Czechoslovakia-born producer, director, and actor Hugo Haas (1901–1968). As a prominent Jewish artist with strong anti-Nazi convictions, Haas was forced to escape his homeland when Hitler invaded Czechoslovakia in 1939. Deeply traumatized by losing his close relatives in the Holocaust, Haas used his independent productions made in Hollywood after World War II to cope with his feelings of loss, pain, loneliness, and dispossession. The author reads selected films, disguised as run-of-the-mill genre pieces, against the filmmaker’s personal history and identifies patterns and motives suggesting that Haas’s body of work was strongly informed by his survivor guilt and trauma.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Jewish Film &amp; New Media-An International Journal

ISSN

2169-0324

e-ISSN

—

Svazek periodika

7 (2019)

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

22

Strana od-do

"1–22"

Kód UT WoS článku

000546850800001

EID výsledku v databázi Scopus

2-s2.0-85087060780