The Banality of Violence in A. L. Kennedy’s Early Short Stories

Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F20%3A73604984" target="_blank" >RIV/61989592:15210/20:73604984 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.4312/an.53.1-2.49-59" target="_blank" >https://doi.org/10.4312/an.53.1-2.49-59</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.4312/an.53.1-2.49-59" target="_blank" >10.4312/an.53.1-2.49-59</a>

Jazyk výsledku
angličtina
Název v původním jazyce
The Banality of Violence in A. L. Kennedy’s Early Short Stories
Popis výsledku v původním jazyce
Selected stories from Kennedy’s first two collections, Night Geometry and the Garscadden Trains (1990) and Now that You’re Back (1994), are analysed to show that,Kennedy does not dismiss the perpetrators of violent acts as sadistic monsters but rather perceives them in their complexity as human beings who may commit inhuman crimes, yet cannot be explained away easily as less than human. Kennedy’s point about the banality of violence – banality in the sense of commonness or ordinariness, not in the sense of triviality.
Název v anglickém jazyce
The Banality of Violence in A. L. Kennedy’s Early Short Stories
Popis výsledku anglicky
Selected stories from Kennedy’s first two collections, Night Geometry and the Garscadden Trains (1990) and Now that You’re Back (1994), are analysed to show that,Kennedy does not dismiss the perpetrators of violent acts as sadistic monsters but rather perceives them in their complexity as human beings who may commit inhuman crimes, yet cannot be explained away easily as less than human. Kennedy’s point about the banality of violence – banality in the sense of commonness or ordinariness, not in the sense of triviality.

Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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