Shakespeare and Opera in the Czech Lands

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73611437" target="_blank" >RIV/61989592:15210/22:73611437 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333191324" target="_blank" >https://obd.upol.cz/id_publ/333191324</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1093/oxfordhb/9780190945145.013.31" target="_blank" >10.1093/oxfordhb/9780190945145.013.31</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Shakespeare and Opera in the Czech Lands

Popis výsledku v původním jazyce

Shakespeare inspired Czech composers almost exclusively in the genre of comic opera, but adapting a Shakespeare play into the form of a high-quality libretto was an extraordinarily difficult task. Moreover, it was difficult to compete with Verdi’s Otello premiered in Prague in 1888 as the first production outside of Italy. Shakespearean comic operas were first successfully produced at Prague’s National Theatre only once the quality of the opera company there had been stabilised, i.e. in c. 1900: Karel Weis’s Viola (1892), Zdeněk Fibich’s The Tempest (1895), Josef Nešvera’s Perdita (1897), and Josef Bohuslav Foerster’s Jessika (1905). the operas of Czech composers based on Shakespearean subjects aroused the hope of promoting the Czech arts in the struggle for national independence in an international context.

Název v anglickém jazyce

Shakespeare and Opera in the Czech Lands

Popis výsledku anglicky

Shakespeare inspired Czech composers almost exclusively in the genre of comic opera, but adapting a Shakespeare play into the form of a high-quality libretto was an extraordinarily difficult task. Moreover, it was difficult to compete with Verdi’s Otello premiered in Prague in 1888 as the first production outside of Italy. Shakespearean comic operas were first successfully produced at Prague’s National Theatre only once the quality of the opera company there had been stabilised, i.e. in c. 1900: Karel Weis’s Viola (1892), Zdeněk Fibich’s The Tempest (1895), Josef Nešvera’s Perdita (1897), and Josef Bohuslav Foerster’s Jessika (1905). the operas of Czech composers based on Shakespearean subjects aroused the hope of promoting the Czech arts in the struggle for national independence in an international context.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Oxford Handbook of Shakespeare and Music

ISBN

978-0-19-094514-5

Počet stran výsledku

28

Strana od-do

"866–893"

Počet stran knihy

1064

Název nakladatele

Oxford University Press

Místo vydání

New York

Kód UT WoS kapitoly

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