Naked Villany: The Fatal Attraction of Richard III and Donald Trump

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F22%3A73614894" target="_blank" >RIV/61989592:15210/22:73614894 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.czasopisma.uni.lodz.pl/szekspir/article/view/15711" target="_blank" >http://www.czasopisma.uni.lodz.pl/szekspir/article/view/15711</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.18778/2083-8530.25.03" target="_blank" >10.18778/2083-8530.25.03</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Naked Villany: The Fatal Attraction of Richard III and Donald Trump

Popis výsledku v původním jazyce

Although no longer American President, Donald Trump still manages to upstage the current administration. An explanation for his “sinister aesthetics”, to use Joel Elliot Slotkin’s concept, can be seemingly found in developing a comparison with the eponymous king of Shakespeare’s Richard III, who masterfully employs soliloquies and asides to draw the audience and reader into his evil plots and dealings. Donald Trump also managed something similar by means of Twitter, constantly tweeting out vicious comments and insults, which kept both his followers and opponents engaged. This theatrical skill is also compared to the ‘heat’ generated by villains in professional wrestling, whose popularity is marked by how much hatred they can produce.

Název v anglickém jazyce

Naked Villany: The Fatal Attraction of Richard III and Donald Trump

Popis výsledku anglicky

Although no longer American President, Donald Trump still manages to upstage the current administration. An explanation for his “sinister aesthetics”, to use Joel Elliot Slotkin’s concept, can be seemingly found in developing a comparison with the eponymous king of Shakespeare’s Richard III, who masterfully employs soliloquies and asides to draw the audience and reader into his evil plots and dealings. Donald Trump also managed something similar by means of Twitter, constantly tweeting out vicious comments and insults, which kept both his followers and opponents engaged. This theatrical skill is also compared to the ‘heat’ generated by villains in professional wrestling, whose popularity is marked by how much hatred they can produce.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Multicultural Shakespeare: Translation, Appropriation and Performance

ISSN

2083-8530

e-ISSN

2300-7605

Svazek periodika

25

Číslo periodika v rámci svazku

40

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

9

Strana od-do

31-39

Kód UT WoS článku

000898943300003

EID výsledku v databázi Scopus

999