The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73621568" target="_blank" >RIV/61989592:15210/23:73621568 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.mdpi.com/2077-1444/14/11/1344" target="_blank" >https://www.mdpi.com/2077-1444/14/11/1344</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3390/rel14111344" target="_blank" >10.3390/rel14111344</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences
Popis výsledku v původním jazyce
For much of history, philosophers and theorists have considered the abstract, rational contemplation of music to be the true form of spiritual activity. This has often come at the cost of making the practical aspect of music (which consists of listening, performance, subjective experience, among others) subservient to theory. This paper examines the implications of separating abstract music theory from its practical side and explores where spirituality can be situated. It was not until the nineteenth century, under the influence of Schopenhauer, that a proper unification of music theory and practice truly took on metaphysical and spiritual dimensions. Schopenhauerian metaphysics allowed music to legitimately become a spiritual refuge in the age of positivism, paving the way for projects such as Scriabin’s Mysterium. The described tension between theory and practice in Western music will be contrasted with Sufism as a point of comparison. The comparison will illustrate how a spiritual movement like Sufism poses a challenge for musicological research. Additionally, reflecting on the state of current music research, the paper explores how music and musicology of the twentieth century onward fall short of the spiritual aspirations of preceding generations.
Název v anglickém jazyce
The Gulf between Music Theory and Practice: Subjectivity, Spirituality, and Other Scholarly Inconveniences
Popis výsledku anglicky
For much of history, philosophers and theorists have considered the abstract, rational contemplation of music to be the true form of spiritual activity. This has often come at the cost of making the practical aspect of music (which consists of listening, performance, subjective experience, among others) subservient to theory. This paper examines the implications of separating abstract music theory from its practical side and explores where spirituality can be situated. It was not until the nineteenth century, under the influence of Schopenhauer, that a proper unification of music theory and practice truly took on metaphysical and spiritual dimensions. Schopenhauerian metaphysics allowed music to legitimately become a spiritual refuge in the age of positivism, paving the way for projects such as Scriabin’s Mysterium. The described tension between theory and practice in Western music will be contrasted with Sufism as a point of comparison. The comparison will illustrate how a spiritual movement like Sufism poses a challenge for musicological research. Additionally, reflecting on the state of current music research, the paper explores how music and musicology of the twentieth century onward fall short of the spiritual aspirations of preceding generations.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2023
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Religions
ISSN
2077-1444
e-ISSN
—
Svazek periodika
14
Číslo periodika v rámci svazku
11
Stát vydavatele periodika
CH - Švýcarská konfederace
Počet stran výsledku
16
Strana od-do
—
Kód UT WoS článku
001119797500001
EID výsledku v databázi Scopus
2-s2.0-85178312278