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More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73622131" target="_blank" >RIV/61989592:15210/23:73622131 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2210233" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2210233</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/10509208.2023.2210233" target="_blank" >10.1080/10509208.2023.2210233</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley

  • Popis výsledku v původním jazyce

    The star image of the British actor Keira Knightley is defined by an observable con-trast, especially in the early years of her career, produced by how her roles shaped her versus how the media did. A split formed during a time characterized by objec-tification and sexualization of the actor, which opposed the women she eventually started portraying onscreen – complex, intelligent heroines, never defined primarily by their physical attributes. I examine the period roles producing this tension, which I consider to be a unique feature of her star image due to its overtness and its slow dissolution brought on by Knightley herself. I work largely with primary sources, with theoretical support in star studies, namely Richard Dyer and P. David Mar-shall, and brief character analysis based on a theory proposed by Molly Haskell. Knightley managed to redirect the construction of her star image to correspond more with her personal expression, as she grew more vocal regarding various femi-nist subjects (e. g. motherhood, Photoshop, and women’s place in the film indus-try). Knightley represents a contemporary continuation of the efforts of 20th-century female stars by calling out restrictive beauty standards and gendered practices in the film industry.

  • Název v anglickém jazyce

    More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley

  • Popis výsledku anglicky

    The star image of the British actor Keira Knightley is defined by an observable con-trast, especially in the early years of her career, produced by how her roles shaped her versus how the media did. A split formed during a time characterized by objec-tification and sexualization of the actor, which opposed the women she eventually started portraying onscreen – complex, intelligent heroines, never defined primarily by their physical attributes. I examine the period roles producing this tension, which I consider to be a unique feature of her star image due to its overtness and its slow dissolution brought on by Knightley herself. I work largely with primary sources, with theoretical support in star studies, namely Richard Dyer and P. David Mar-shall, and brief character analysis based on a theory proposed by Molly Haskell. Knightley managed to redirect the construction of her star image to correspond more with her personal expression, as she grew more vocal regarding various femi-nist subjects (e. g. motherhood, Photoshop, and women’s place in the film indus-try). Knightley represents a contemporary continuation of the efforts of 20th-century female stars by calling out restrictive beauty standards and gendered practices in the film industry.

Klasifikace

  • Druh

    J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS

  • CEP obor

  • OECD FORD obor

    60405 - Studies on Film, Radio and Television

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2023

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Quarterly Review of Film and Video

  • ISSN

    1050-9208

  • e-ISSN

    1543-5326

  • Svazek periodika

    2023

  • Číslo periodika v rámci svazku

    květen 2023

  • Stát vydavatele periodika

    GB - Spojené království Velké Británie a Severního Irska

  • Počet stran výsledku

    25

  • Strana od-do

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus

    2-s2.0-85159102468