More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73622131" target="_blank" >RIV/61989592:15210/23:73622131 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2210233" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2210233</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/10509208.2023.2210233" target="_blank" >10.1080/10509208.2023.2210233</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley
Popis výsledku v původním jazyce
The star image of the British actor Keira Knightley is defined by an observable con-trast, especially in the early years of her career, produced by how her roles shaped her versus how the media did. A split formed during a time characterized by objec-tification and sexualization of the actor, which opposed the women she eventually started portraying onscreen – complex, intelligent heroines, never defined primarily by their physical attributes. I examine the period roles producing this tension, which I consider to be a unique feature of her star image due to its overtness and its slow dissolution brought on by Knightley herself. I work largely with primary sources, with theoretical support in star studies, namely Richard Dyer and P. David Mar-shall, and brief character analysis based on a theory proposed by Molly Haskell. Knightley managed to redirect the construction of her star image to correspond more with her personal expression, as she grew more vocal regarding various femi-nist subjects (e. g. motherhood, Photoshop, and women’s place in the film indus-try). Knightley represents a contemporary continuation of the efforts of 20th-century female stars by calling out restrictive beauty standards and gendered practices in the film industry.
Název v anglickém jazyce
More Than “The Most Beautiful Famous Face”: The Split Star Image of Keira Knightley
Popis výsledku anglicky
The star image of the British actor Keira Knightley is defined by an observable con-trast, especially in the early years of her career, produced by how her roles shaped her versus how the media did. A split formed during a time characterized by objec-tification and sexualization of the actor, which opposed the women she eventually started portraying onscreen – complex, intelligent heroines, never defined primarily by their physical attributes. I examine the period roles producing this tension, which I consider to be a unique feature of her star image due to its overtness and its slow dissolution brought on by Knightley herself. I work largely with primary sources, with theoretical support in star studies, namely Richard Dyer and P. David Mar-shall, and brief character analysis based on a theory proposed by Molly Haskell. Knightley managed to redirect the construction of her star image to correspond more with her personal expression, as she grew more vocal regarding various femi-nist subjects (e. g. motherhood, Photoshop, and women’s place in the film indus-try). Knightley represents a contemporary continuation of the efforts of 20th-century female stars by calling out restrictive beauty standards and gendered practices in the film industry.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60405 - Studies on Film, Radio and Television
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2023
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Quarterly Review of Film and Video
ISSN
1050-9208
e-ISSN
1543-5326
Svazek periodika
2023
Číslo periodika v rámci svazku
květen 2023
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
25
Strana od-do
—
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85159102468