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The Perils of Representation: Sandra Oh in Killing Eve

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73622127" target="_blank" >RIV/61989592:15210/24:73622127 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2199805" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/10509208.2023.2199805</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/10509208.2023.2199805" target="_blank" >10.1080/10509208.2023.2199805</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Perils of Representation: Sandra Oh in Killing Eve

  • Popis výsledku v původním jazyce

    In this paper, I consider how star status is formed around Sandra Oh in her role in quality TV spy thriller/black comedy Killing Eve (BBC America, 2018–2022) and how it relates to her minority ethnicity. Sandra Oh, originally Korean Canadian, gained success playing supporting characters in numerous American films and TV shows, most notably Cristina Yang in Grey’s Anatomy (ABC, 2005–?). While Oh had been cast in the leading roles in Canadian films like Double Happiness (1994) and The Diary of Evelyn Lau (1994), later in her career, after coming to Hollywood, she became typecasted as token minority friend. Her casting as the lead, Eve Polastri, in Killing Eve was not only ground-breaking for her career but also in the broader context of representation of Asian American, since Oh was nominated or awarded for her role in the ways that no Asian American woman had been before. In addition, the character of Eve Polastri is often viewed as non-stereotypical and original and therefore a positive representation of Asian Americans. However, there are critical counterpoints to it, that are connected to the problematic nature of colourblind casting. In this article I argue that Killing Eve helped Oh gain star status with the direct link to her representation and through the discourses of prestige (namely critical acclaim, awards, and quality TV).

  • Název v anglickém jazyce

    The Perils of Representation: Sandra Oh in Killing Eve

  • Popis výsledku anglicky

    In this paper, I consider how star status is formed around Sandra Oh in her role in quality TV spy thriller/black comedy Killing Eve (BBC America, 2018–2022) and how it relates to her minority ethnicity. Sandra Oh, originally Korean Canadian, gained success playing supporting characters in numerous American films and TV shows, most notably Cristina Yang in Grey’s Anatomy (ABC, 2005–?). While Oh had been cast in the leading roles in Canadian films like Double Happiness (1994) and The Diary of Evelyn Lau (1994), later in her career, after coming to Hollywood, she became typecasted as token minority friend. Her casting as the lead, Eve Polastri, in Killing Eve was not only ground-breaking for her career but also in the broader context of representation of Asian American, since Oh was nominated or awarded for her role in the ways that no Asian American woman had been before. In addition, the character of Eve Polastri is often viewed as non-stereotypical and original and therefore a positive representation of Asian Americans. However, there are critical counterpoints to it, that are connected to the problematic nature of colourblind casting. In this article I argue that Killing Eve helped Oh gain star status with the direct link to her representation and through the discourses of prestige (namely critical acclaim, awards, and quality TV).

Klasifikace

  • Druh

    J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS

  • CEP obor

  • OECD FORD obor

    60405 - Studies on Film, Radio and Television

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2024

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Quarterly Review of Film and Video

  • ISSN

    1050-9208

  • e-ISSN

    1543-5326

  • Svazek periodika

    41

  • Číslo periodika v rámci svazku

    8

  • Stát vydavatele periodika

    GB - Spojené království Velké Británie a Severního Irska

  • Počet stran výsledku

    25

  • Strana od-do

    "1207–1231"

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus

    2-s2.0-85153256964