Two Mysterious “Mademoiselles”: Jeanne Rigaud and Maria Cantarelli. A Multilingual Multi-Layered Dada Pun Unravelled?

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73623321" target="_blank" >RIV/61989592:15210/24:73623321 - isvavai.cz</a>

Výsledek na webu

<a href="https://brill.com/display/book/9789004526747/BP000017.xml" target="_blank" >https://brill.com/display/book/9789004526747/BP000017.xml</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1163/9789004526747_009" target="_blank" >10.1163/9789004526747_009</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Two Mysterious “Mademoiselles”: Jeanne Rigaud and Maria Cantarelli. A Multilingual Multi-Layered Dada Pun Unravelled?

Popis výsledku v původním jazyce

In several historical accounts of Dada in Zurich the names of two women are mentioned as participants of a dance performance a spart of the so-called &quot;Sturm-Soirée&quot; on 14 April 1917 in the Galerie Dada: Jeanne Rigaud and Maria Cantarelli. As the article points out, Rigaud and Cantarelli were not two other women, of whom little more than a name survived, but probably nicknames referring via two multilingual, multi-layered puns to two women, who appeared already in 1920 as présidentes of the Mouvement Dada in a long list of “Quelques présidents et présidentes” (Tzara 1920a): Jeanne Rigaud being Sophie Taeuber and Maria Cantarelli being Maya Chrusecz, although in the case of Jeanne Rigaud it cannot be ruled out completely that the name refers to Klara Walther, a dancer and dance instructor of Laban’s school, who performed “Expressionist dances” at the opening party of the Galerie Dada, a fortnight before the “Sturm-Soirée”.

Název v anglickém jazyce

Two Mysterious “Mademoiselles”: Jeanne Rigaud and Maria Cantarelli. A Multilingual Multi-Layered Dada Pun Unravelled?

Popis výsledku anglicky

In several historical accounts of Dada in Zurich the names of two women are mentioned as participants of a dance performance a spart of the so-called &quot;Sturm-Soirée&quot; on 14 April 1917 in the Galerie Dada: Jeanne Rigaud and Maria Cantarelli. As the article points out, Rigaud and Cantarelli were not two other women, of whom little more than a name survived, but probably nicknames referring via two multilingual, multi-layered puns to two women, who appeared already in 1920 as présidentes of the Mouvement Dada in a long list of “Quelques présidents et présidentes” (Tzara 1920a): Jeanne Rigaud being Sophie Taeuber and Maria Cantarelli being Maya Chrusecz, although in the case of Jeanne Rigaud it cannot be ruled out completely that the name refers to Klara Walther, a dancer and dance instructor of Laban’s school, who performed “Expressionist dances” at the opening party of the Galerie Dada, a fortnight before the “Sturm-Soirée”.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Cannibalizing the Canon. Dada Techniques in East-Central Europe

ISBN

978-90-04-52674-7

Počet stran výsledku

17

Strana od-do

150-166

Počet stran knihy

635

Název nakladatele

Brill Academic Publishers

Místo vydání

Leiden

Kód UT WoS kapitoly

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