Who owed whom? The case of Sonia Delaunay-Terk and her designs for Tristan Tzara’s play Le Cœur à gaz at the Parisian “Soirée du Cœur à Barbe” of 6 July 1923
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73621723" target="_blank" >RIV/61989592:15210/23:73621723 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.reciti.hu/wp-content/uploads/Rekonf22_vn.pdf" target="_blank" >https://www.reciti.hu/wp-content/uploads/Rekonf22_vn.pdf</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Who owed whom? The case of Sonia Delaunay-Terk and her designs for Tristan Tzara’s play Le Cœur à gaz at the Parisian “Soirée du Cœur à Barbe” of 6 July 1923
Popis výsledku v původním jazyce
In July 1923, the so-called "Soirée du Cœur à Barbe", an opulent soirée with poetry, theatre, film, dance and music, was staged in the Parisian Théâtre Michel, co-organized by Tristan Tzara, "director" of the Dada movement. A key element of the soirée, often seen as the closing event of Dada in Paris, was the staging of Tzara's theatre play Cœur à gaz, for which Sonia Delaunay-Terk designed the costumes. As such, she appears nowadays in male-centred Dada historiography in the context of the event as a side figure in a show by Tzara in her role of costume designer and as such as one of "Dada's women". A closer and unbiased look at the immediate prehistory and the preparation of the event – leaving the anachronistic framing of the event as Dada project (and as such a project in an exclusively male designed programmatic frame) for what it is –, there can be no doubt that the roles between Delaunay-Terk and Tzara in the early 1920s were rather opposite to current-day historiographic and scholarly assessments, Delaunay-Terk not owing consecration from Tzara, turning her into a Dadaist she never was, but rather vice versa Tzara owing consecration from Delaunay-Terk as a relevant author, after the demise of Dada late 1921.
Název v anglickém jazyce
Who owed whom? The case of Sonia Delaunay-Terk and her designs for Tristan Tzara’s play Le Cœur à gaz at the Parisian “Soirée du Cœur à Barbe” of 6 July 1923
Popis výsledku anglicky
In July 1923, the so-called "Soirée du Cœur à Barbe", an opulent soirée with poetry, theatre, film, dance and music, was staged in the Parisian Théâtre Michel, co-organized by Tristan Tzara, "director" of the Dada movement. A key element of the soirée, often seen as the closing event of Dada in Paris, was the staging of Tzara's theatre play Cœur à gaz, for which Sonia Delaunay-Terk designed the costumes. As such, she appears nowadays in male-centred Dada historiography in the context of the event as a side figure in a show by Tzara in her role of costume designer and as such as one of "Dada's women". A closer and unbiased look at the immediate prehistory and the preparation of the event – leaving the anachronistic framing of the event as Dada project (and as such a project in an exclusively male designed programmatic frame) for what it is –, there can be no doubt that the roles between Delaunay-Terk and Tzara in the early 1920s were rather opposite to current-day historiographic and scholarly assessments, Delaunay-Terk not owing consecration from Tzara, turning her into a Dadaist she never was, but rather vice versa Tzara owing consecration from Delaunay-Terk as a relevant author, after the demise of Dada late 1921.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2023
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Avantgárd nőírók, női alkotók
ISBN
978-615-6255-78-5
Počet stran výsledku
14
Strana od-do
9-22
Počet stran knihy
218
Název nakladatele
reciti
Místo vydání
Budapest
Kód UT WoS kapitoly
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