Perspective Subversion: Female Characters in František Daniel’s Two Czech Films

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73625970" target="_blank" >RIV/61989592:15210/24:73625970 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.sav.sk/?lang=sk&doc=journal-list&part=article_response_page&journal_article_no=35222" target="_blank" >https://www.sav.sk/?lang=sk&doc=journal-list&part=article_response_page&journal_article_no=35222</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.31577/sd-2024-0019" target="_blank" >10.31577/sd-2024-0019</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Perspective Subversion: Female Characters in František Daniel’s Two Czech Films

Popis výsledku v původním jazyce

In František (Frank) Daniel’s films we find two situations that do not seem to belong to his work. These are scenes from his first and last films, in which the perspective is reversed and for a brief moment we see a fictional world through female characters. The matter is all the more surprising because Daniel did not emphasize the issue of feminism in his theoretical work. The aim of the study is to show how both scenes stand out from the rest of the films and to try to explain how they can be seen in the context of Daniel’s theory of narration. Methodologically, the paper combines an analysis of film form, work with archival sources and analysis of Daniel’s theoretical books.

Název v anglickém jazyce

Perspective Subversion: Female Characters in František Daniel’s Two Czech Films

Popis výsledku anglicky

In František (Frank) Daniel’s films we find two situations that do not seem to belong to his work. These are scenes from his first and last films, in which the perspective is reversed and for a brief moment we see a fictional world through female characters. The matter is all the more surprising because Daniel did not emphasize the issue of feminism in his theoretical work. The aim of the study is to show how both scenes stand out from the rest of the films and to try to explain how they can be seen in the context of Daniel’s theory of narration. Methodologically, the paper combines an analysis of film form, work with archival sources and analysis of Daniel’s theoretical books.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60500 - Other Humanities and the Arts

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Slovenské divadlo

ISSN

0037-699X

e-ISSN

1336-8605

Svazek periodika

72

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

SK - Slovenská republika

Počet stran výsledku

18

Strana od-do

237-254

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85214585525