Czechoslovak Singer-Songwriters and Their Role in the First Post-Communist Decade (1989–1999): A Case Study of the Social Functions and Politics of Popular Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73626878" target="_blank" >RIV/61989592:15210/24:73626878 - isvavai.cz</a>

Výsledek na webu

<a href="https://journal.equinoxpub.com/JWPM/article/view/21363" target="_blank" >https://journal.equinoxpub.com/JWPM/article/view/21363</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1558/jwpm.21363" target="_blank" >10.1558/jwpm.21363</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Czechoslovak Singer-Songwriters and Their Role in the First Post-Communist Decade (1989–1999): A Case Study of the Social Functions and Politics of Popular Music

Popis výsledku v původním jazyce

The Velvet Revolution, which took place in 1989, not only meant the end of the Communistregime, but according to numerous music journalists, musicians as well as academics, it alsomeant “the end of folk music” as a specific genre following the model of Western engagedsinger-songwriters of the 1960s, and from that time typically associated with protest, mostlywith an anti-communist focus, in the Czech environment. Based on an analysis of originalsources, the article examines the development of Czechoslovak folk music from the 1960s andprimarily focuses on its identity transformation in relation to the changes brought about by therevolutionary year 1989. Through the analysis, it is concluded that although the decline of thesinger-songwriter scene in the 1990s was perceived as a reaction to the change in the politicalregime and the “disappearance of the common enemy”, it was also the result of the develop-ment of the genre as such in the national and international context.

Název v anglickém jazyce

Czechoslovak Singer-Songwriters and Their Role in the First Post-Communist Decade (1989–1999): A Case Study of the Social Functions and Politics of Popular Music

Popis výsledku anglicky

The Velvet Revolution, which took place in 1989, not only meant the end of the Communistregime, but according to numerous music journalists, musicians as well as academics, it alsomeant “the end of folk music” as a specific genre following the model of Western engagedsinger-songwriters of the 1960s, and from that time typically associated with protest, mostlywith an anti-communist focus, in the Czech environment. Based on an analysis of originalsources, the article examines the development of Czechoslovak folk music from the 1960s andprimarily focuses on its identity transformation in relation to the changes brought about by therevolutionary year 1989. Through the analysis, it is concluded that although the decline of thesinger-songwriter scene in the 1990s was perceived as a reaction to the change in the politicalregime and the “disappearance of the common enemy”, it was also the result of the develop-ment of the genre as such in the national and international context.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of World Popular Music

ISSN

2052-4900

e-ISSN

2052-4919

Svazek periodika

11

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

19

Strana od-do

3-21

Kód UT WoS článku

001362600500002

EID výsledku v databázi Scopus

2-s2.0-85206825053