Gender Matters?: The Evolution of Gendered Voices in the Cinema of Colonial and Postwar Korea

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73635538" target="_blank" >RIV/61989592:15210/24:73635538 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5507/ff.23.24463476.18" target="_blank" >http://dx.doi.org/10.5507/ff.23.24463476.18</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5507/ff.23.24463476.18" target="_blank" >10.5507/ff.23.24463476.18</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Gender Matters?: The Evolution of Gendered Voices in the Cinema of Colonial and Postwar Korea

Popis výsledku v původním jazyce

The following chapter examines Korean film narratives of romance starting from the late colonial era until the Second Republic of Korea (1960–1961). The altered attributes of Korean womanhood under the control of men stress a shift in the voice of females, emphasizing their hardship and temporary victories in tandem with the crisis of competitive male counterparts. The study provides a comprehensive analysis of the cinematic representation of gender roles in Korean film towards the end of the colonial rule and at the dawn of the newly founded Republic of Korea. Transformations in the aesthetic and formal depictions of feminism, coupled with the desperate effort of Korean women to rid themselves of social conventions, are strikingly encompassed. The goal is not merely to highlight the impossibility of Korean women’s independence during these significant historical periods but also to address its roots in constant rebellion against the male-dominated social space.

Název v anglickém jazyce

Gender Matters?: The Evolution of Gendered Voices in the Cinema of Colonial and Postwar Korea

Popis výsledku anglicky

The following chapter examines Korean film narratives of romance starting from the late colonial era until the Second Republic of Korea (1960–1961). The altered attributes of Korean womanhood under the control of men stress a shift in the voice of females, emphasizing their hardship and temporary victories in tandem with the crisis of competitive male counterparts. The study provides a comprehensive analysis of the cinematic representation of gender roles in Korean film towards the end of the colonial rule and at the dawn of the newly founded Republic of Korea. Transformations in the aesthetic and formal depictions of feminism, coupled with the desperate effort of Korean women to rid themselves of social conventions, are strikingly encompassed. The goal is not merely to highlight the impossibility of Korean women’s independence during these significant historical periods but also to address its roots in constant rebellion against the male-dominated social space.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

O - Projekt operacniho programu

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Continuity and Change in Asia

ISBN

978-80-244-6347-6

Počet stran výsledku

31

Strana od-do

513-543

Počet stran knihy

600

Název nakladatele

Palacký University Olomouc

Místo vydání

Olomouc

Kód UT WoS kapitoly

—