Czech Soundwalk Production on the Second World War

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73632561" target="_blank" >RIV/61989592:15210/25:73632561 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.taylorfrancis.com/chapters/edit/10.4324/9781003559610-11/czech-soundwalk-production-second-world-war-andrea-han%C3%A1%C4%8Dkov%C3%A1?context=ubx&refId=dbd436f9-215b-45ab-b816-e35255b926fb" target="_blank" >https://www.taylorfrancis.com/chapters/edit/10.4324/9781003559610-11/czech-soundwalk-production-second-world-war-andrea-han%C3%A1%C4%8Dkov%C3%A1?context=ubx&refId=dbd436f9-215b-45ab-b816-e35255b926fb</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.4324/9781003559610" target="_blank" >10.4324/9781003559610</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Czech Soundwalk Production on the Second World War

Popis výsledku v původním jazyce

This chapter explores the performative and immersive dimensions of Czech soundwalks and sound installations related to the Second World War, emphasising their potential to reshape collective memory and the auditory representation of historical events. It examines how contemporary Czech artists, documentarians and sound designers engage with wartime narratives, especially where historical facts have been ideologically shaped or suppressed. Focusing on case studies from Terezín, Prostějov, Pardubice and Lidice, the chapter analyses how sound artefacts reconstruct key wartime moments, such as the persecution of Jews, the assassination of Reinhard Heydrich, and the destruction of Lidice. Drawing on the concepts of acoustic synecdoche and asyndeton, it investigates how soundwalks, through the lens of psychogeography, challenge traditional narratives and offer alternative modes of engaging with the past. The chapter argues that soundwalks, by integrating historical narratives with embodied experience, foster emotional and cognitive involvement, transforming collective memory and historical representation.

Název v anglickém jazyce

Czech Soundwalk Production on the Second World War

Popis výsledku anglicky

This chapter explores the performative and immersive dimensions of Czech soundwalks and sound installations related to the Second World War, emphasising their potential to reshape collective memory and the auditory representation of historical events. It examines how contemporary Czech artists, documentarians and sound designers engage with wartime narratives, especially where historical facts have been ideologically shaped or suppressed. Focusing on case studies from Terezín, Prostějov, Pardubice and Lidice, the chapter analyses how sound artefacts reconstruct key wartime moments, such as the persecution of Jews, the assassination of Reinhard Heydrich, and the destruction of Lidice. Drawing on the concepts of acoustic synecdoche and asyndeton, it investigates how soundwalks, through the lens of psychogeography, challenge traditional narratives and offer alternative modes of engaging with the past. The chapter argues that soundwalks, by integrating historical narratives with embodied experience, foster emotional and cognitive involvement, transforming collective memory and historical representation.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/GA22-34342S" target="_blank" >GA22-34342S: Akustická paměť druhé světové války v českém kontextu v letech 1990–2020</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Czech and Polish Sound Memories of the Second World War

ISBN

978-1-00-355961-0

Počet stran výsledku

29

Strana od-do

181-209

Počet stran knihy

294

Název nakladatele

Routledge

Místo vydání

New York

Kód UT WoS kapitoly

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