Composers’ Unions and Cultural Policy in State Socialist Countries in the 1950s and 1960s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73635805" target="_blank" >RIV/61989592:15210/25:73635805 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.3726/b23398" target="_blank" >http://dx.doi.org/10.3726/b23398</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.3726/b23398" target="_blank" >10.3726/b23398</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Composers’ Unions and Cultural Policy in State Socialist Countries in the 1950s and 1960s

Popis výsledku v původním jazyce

This book examines the role of composers’ unions in shaping cultural life under state socialism in Central and Eastern Europe. Against the backdrop of shifting political regimes, it traces how these organisations navigated ideological demands, censorship, and artistic aspirations from the late Stalinist era to the Prague Spring. Based on extensive archival research, the chapters offer insights into institutional structures, leadership strategies, and the balance between state control and artistic initiative. The volume places national case studies in broader international contexts, showing how composers’ unions functioned both as instruments of power and as spaces of negotiation. Exploring their engagement with styles from socialist realism to avant-garde and popular music, the book reveals how these organisations reflected broader cultural struggles of the Cold War era and illuminates the interplay of art, ideology, and politics in societies striving to define their cultural identity.

Název v anglickém jazyce

Composers’ Unions and Cultural Policy in State Socialist Countries in the 1950s and 1960s

Popis výsledku anglicky

This book examines the role of composers’ unions in shaping cultural life under state socialism in Central and Eastern Europe. Against the backdrop of shifting political regimes, it traces how these organisations navigated ideological demands, censorship, and artistic aspirations from the late Stalinist era to the Prague Spring. Based on extensive archival research, the chapters offer insights into institutional structures, leadership strategies, and the balance between state control and artistic initiative. The volume places national case studies in broader international contexts, showing how composers’ unions functioned both as instruments of power and as spaces of negotiation. Exploring their engagement with styles from socialist realism to avant-garde and popular music, the book reveals how these organisations reflected broader cultural struggles of the Cold War era and illuminates the interplay of art, ideology, and politics in societies striving to define their cultural identity.

Druh

B - Odborná kniha

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA21-19041S" target="_blank" >GA21-19041S: Skladatelské svazy a kulturní politika v socialistických zemích v 50. a 60. letech 20. století</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-3-631-91538-7

Počet stran knihy

392

Název nakladatele

Peter Lang Verlag

Místo vydání

Berlin

Kód UT WoS knihy

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