Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62156462%3A54510%2F20%3A00000006" target="_blank" >RIV/62156462:54510/20:00000006 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/142886" target="_blank" >http://hdl.handle.net/11222.digilib/142886</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2020-1-1" target="_blank" >10.5817/MB2020-1-1</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument

Popis výsledku v původním jazyce

The most important organist in Czechoslovakia between the wars was Bedřich Antonín Wiedermann (1883–1951). He was a teacher and composer, but above all a great performer. After arriving in Prague in 1911, he began playing in regular recitals at the Emmaus monastery. Then from 1920–1932 he played at the Sunday matinee concerts at the Prague Municipal House. In these performances, he made the case for the organ as a concert instrument and chose the compositions he played with that in mind. He also performed at the Hussite church in Dejvice and Vinohrady, and later at the church of St James in the Prague Old Town. As the only Czech organist of the era to perform outside his own country, he travelled to England, the United States, Germany, Sweden and Belgium. Wiedermann was of fundamental importance for the development of organ music and organ performance in the Czech Lands.

Název v anglickém jazyce

Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument

Popis výsledku anglicky

The most important organist in Czechoslovakia between the wars was Bedřich Antonín Wiedermann (1883–1951). He was a teacher and composer, but above all a great performer. After arriving in Prague in 1911, he began playing in regular recitals at the Emmaus monastery. Then from 1920–1932 he played at the Sunday matinee concerts at the Prague Municipal House. In these performances, he made the case for the organ as a concert instrument and chose the compositions he played with that in mind. He also performed at the Hussite church in Dejvice and Vinohrady, and later at the church of St James in the Prague Old Town. As the only Czech organist of the era to perform outside his own country, he travelled to England, the United States, Germany, Sweden and Belgium. Wiedermann was of fundamental importance for the development of organ music and organ performance in the Czech Lands.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

2336-436X

Svazek periodika

55

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

10

Strana od-do

5-14

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85096097643