Making catalogue of works by organist Bedřich Antonín Wiedermann

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62156462%3A54510%2F23%3A00000017" target="_blank" >RIV/62156462:54510/23:00000017 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Making catalogue of works by organist Bedřich Antonín Wiedermann

Popis výsledku v původním jazyce

The most famous Czech organist of the first half of the 20th century was Bedřich Antonín Wiedermann (1883–1951): he was a virtuoso, church organist, teacher of the Prague Conservatory and, briefly, of Academy of Performing Arts. He was also a prolific composer who intentionally composed for his instrument – the organ. He wrote other music too, mostly chamber pieces, sacred music, songs and choral works. The most important source is his legacy kept in the Czech Museum of Music in Prague, there are mainly his compositions in autographs, authorized copies and prints, both from Wiedermann's devoted copyist and printer Josef Milota. The first one who sorted Wiedermann pieces was his nephew and pupil Jan Bedřich Krajs, he put relevant manuscripts together and wrote titles and remarks there. I began cataloguing Wiedermann´s output in 2018 what helped me to follow e.g. places Wiedermann visited, friends to whom he dedicated his pieces. Some pieces are only in sketch, some in several versions, some in fair copies with remarks of dynamics, manuals, stops, duration, so it is clear these were used for performance. Individual pieces are kept the music archive of Czech Radio and private archives of Wiedermann's relatives, pupils and organ enthusiasts. The paper presented questions around Wiedermann´s pieces and problems of cataloguing his music output.

Název v anglickém jazyce

Making catalogue of works by organist Bedřich Antonín Wiedermann

Popis výsledku anglicky

The most famous Czech organist of the first half of the 20th century was Bedřich Antonín Wiedermann (1883–1951): he was a virtuoso, church organist, teacher of the Prague Conservatory and, briefly, of Academy of Performing Arts. He was also a prolific composer who intentionally composed for his instrument – the organ. He wrote other music too, mostly chamber pieces, sacred music, songs and choral works. The most important source is his legacy kept in the Czech Museum of Music in Prague, there are mainly his compositions in autographs, authorized copies and prints, both from Wiedermann's devoted copyist and printer Josef Milota. The first one who sorted Wiedermann pieces was his nephew and pupil Jan Bedřich Krajs, he put relevant manuscripts together and wrote titles and remarks there. I began cataloguing Wiedermann´s output in 2018 what helped me to follow e.g. places Wiedermann visited, friends to whom he dedicated his pieces. Some pieces are only in sketch, some in several versions, some in fair copies with remarks of dynamics, manuals, stops, duration, so it is clear these were used for performance. Individual pieces are kept the music archive of Czech Radio and private archives of Wiedermann's relatives, pupils and organ enthusiasts. The paper presented questions around Wiedermann´s pieces and problems of cataloguing his music output.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů