Becoming Deterritorialized: Reading Tim Etchells' The BRoKen WoRLD after Gilles Deleuze

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F15%3A50004172" target="_blank" >RIV/62690094:18440/15:50004172 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Becoming Deterritorialized: Reading Tim Etchells' The BRoKen WoRLD after Gilles Deleuze

Popis výsledku v původním jazyce

The philosophy of Gilles Deleuze is a complex and open system whose "anything-goes" or, to borrow Deleuze's own term, rhizomatic, i.e. interconnected and interconnectable nature constitutes a major potential of the theory for many areas of academic discourse. The application of Deleuze's thought on writing that is performative and performance-influenced thus seems constructive, since art, performance writing and philosophy have a transformative capacity via their ability to challenge the territory between the work of art and its recipient. The present paper elaborates on the productive quality of two crucial concepts of Gilles Deleuze, becoming and deterritorialization. In the second part of the article these concepts are applied to The BRoKeN WoRLD, anovel by Tim Etchells. The conclusion of the paper suggests that Etchells' invitations to trespass the in-between territory among author, work and recipient is graspable via the theoretical apparatus provided by the Deleuzian creative ma

Název v anglickém jazyce

Becoming Deterritorialized: Reading Tim Etchells' The BRoKen WoRLD after Gilles Deleuze

Popis výsledku anglicky

The philosophy of Gilles Deleuze is a complex and open system whose "anything-goes" or, to borrow Deleuze's own term, rhizomatic, i.e. interconnected and interconnectable nature constitutes a major potential of the theory for many areas of academic discourse. The application of Deleuze's thought on writing that is performative and performance-influenced thus seems constructive, since art, performance writing and philosophy have a transformative capacity via their ability to challenge the territory between the work of art and its recipient. The present paper elaborates on the productive quality of two crucial concepts of Gilles Deleuze, becoming and deterritorialization. In the second part of the article these concepts are applied to The BRoKeN WoRLD, anovel by Tim Etchells. The conclusion of the paper suggests that Etchells' invitations to trespass the in-between territory among author, work and recipient is graspable via the theoretical apparatus provided by the Deleuzian creative ma

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AI - Jazykověda

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American and British studies annual

ISSN

1803-6058

e-ISSN

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Svazek periodika

Neuveden

Číslo periodika v rámci svazku

8

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

9

Strana od-do

65-73

Kód UT WoS článku

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EID výsledku v databázi Scopus

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