Cantus fractus in Pre-Hussite Bohemia: Lost Repertories and Reconstruction Challenges

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F23%3A00575293" target="_blank" >RIV/67985921:_____/23:00575293 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1484/J.JAF.5.133793" target="_blank" >https://doi.org/10.1484/J.JAF.5.133793</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1484/J.JAF.5.133793" target="_blank" >10.1484/J.JAF.5.133793</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Cantus fractus in Pre-Hussite Bohemia: Lost Repertories and Reconstruction Challenges

Popis výsledku v původním jazyce

The relatively high number of chant books with notated cantus fractus after 1470 as well as their monumental and splendid appearance erroneously gives the impression that rhythmic chant performance only found its way into the liturgical repertory in Prague after the Hussite Wars (1419–1434). But the first sources of rhythmically performed plainchant from Prague are much older, dating back to the 1380s. Additional evidence for this can be found in the so-called Jistebnice Cantionale from the 1420s or early 1430s, a source for the Hussite liturgy with numerous Hussite songs that includes vernacular sequences and Patrem chants notated in cantus fractus. Based on the recently confirmed Prague origin of the manuscript and its close connection to the Prague intellectual elite, the presence of the vernacular repertory suggests that a related, Latin repertory would have existed previously, presumably cultivated in the early fifteenth century. Inscriptions in the cantionale display the scribe’s struggles to notate rhythm precisely, which indicates that he was dealing with an entirely new idiom for which he lacked reliable written models.

Název v anglickém jazyce

Cantus fractus in Pre-Hussite Bohemia: Lost Repertories and Reconstruction Challenges

Popis výsledku anglicky

The relatively high number of chant books with notated cantus fractus after 1470 as well as their monumental and splendid appearance erroneously gives the impression that rhythmic chant performance only found its way into the liturgical repertory in Prague after the Hussite Wars (1419–1434). But the first sources of rhythmically performed plainchant from Prague are much older, dating back to the 1380s. Additional evidence for this can be found in the so-called Jistebnice Cantionale from the 1420s or early 1430s, a source for the Hussite liturgy with numerous Hussite songs that includes vernacular sequences and Patrem chants notated in cantus fractus. Based on the recently confirmed Prague origin of the manuscript and its close connection to the Prague intellectual elite, the presence of the vernacular repertory suggests that a related, Latin repertory would have existed previously, presumably cultivated in the early fifteenth century. Inscriptions in the cantionale display the scribe’s struggles to notate rhythm precisely, which indicates that he was dealing with an entirely new idiom for which he lacked reliable written models.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GX19-28306X" target="_blank" >GX19-28306X: Staré mýty, nová fakta: české země v centru hudebního dění 15. století</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of the Alamire Foundation

ISSN

2032-5371

e-ISSN

2507-0320

Svazek periodika

15

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

21

Strana od-do

11-31

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85161021292