Tabulae cum portis, vela, cortinae and sudaria. Remarks on the liminal zones in the liturgical and para-liturgical contexts in the Late Middle Ages

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F19%3A00520682" target="_blank" >RIV/67985955:_____/19:00520682 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/68378033:_____/19:00520682 RIV/00216224:14210/19:00111934

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/141744" target="_blank" >http://hdl.handle.net/11222.digilib/141744</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Tabulae cum portis, vela, cortinae and sudaria. Remarks on the liminal zones in the liturgical and para-liturgical contexts in the Late Middle Ages

Popis výsledku v původním jazyce

In the Middle Ages, an altar and its retable had a distinctly liminal status. The altarpiece defined and delimitated the place of the Eucharist and the transubstantiation of the host to the Corpus Christi. In addition, the lateral altar curtains served similarly to the winged retable, as is documented by numerous illustrations from the period. The dogma of transubstantiation is thus essential to an altarpiece’s being a liminal zone. At the onset of the early modern era, this is indirectly confirmed by Lutheran altarpieces, which, unlike Catholic or Utraquist retables, function practically as abolishers to liminality. The liminal function of the medieval altarpiece manifests itself also in the dramatic performances accompanying the Mass proper during the great liturgical feasts, especially during the Easter in the Officium visitationis sepulchrum. The liminal property of the altar, and of Christ the Savior in the three days leading up to His death, are underlined by, among other things, the ephemeral and provisional nature of the liturgical textiles used in the performance of the office.

Název v anglickém jazyce

Tabulae cum portis, vela, cortinae and sudaria. Remarks on the liminal zones in the liturgical and para-liturgical contexts in the Late Middle Ages

Popis výsledku anglicky

In the Middle Ages, an altar and its retable had a distinctly liminal status. The altarpiece defined and delimitated the place of the Eucharist and the transubstantiation of the host to the Corpus Christi. In addition, the lateral altar curtains served similarly to the winged retable, as is documented by numerous illustrations from the period. The dogma of transubstantiation is thus essential to an altarpiece’s being a liminal zone. At the onset of the early modern era, this is indirectly confirmed by Lutheran altarpieces, which, unlike Catholic or Utraquist retables, function practically as abolishers to liminality. The liminal function of the medieval altarpiece manifests itself also in the dramatic performances accompanying the Mass proper during the great liturgical feasts, especially during the Easter in the Officium visitationis sepulchrum. The liminal property of the altar, and of Christ the Savior in the three days leading up to His death, are underlined by, among other things, the ephemeral and provisional nature of the liturgical textiles used in the performance of the office.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium: exchanges and interactions in the arts of medieval Europe, Byzantium and the Mediterranean

ISSN

2336-3452

e-ISSN

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Svazek periodika

6

Číslo periodika v rámci svazku

Supplementum

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

22

Strana od-do

112-133

Kód UT WoS článku

000508612500005

EID výsledku v databázi Scopus

2-s2.0-85078892139