Democracy, power and powerlessness of art
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F22%3A00552652" target="_blank" >RIV/67985955:_____/22:00552652 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Democracy, power and powerlessness of art
Popis výsledku v původním jazyce
The systematic rise of proto-totalitarian regimes, the acceleration of neoliberal cultural politics, and the recent pandemic restrictions in European countries have intensified discussions in the cultural sector about the basic, yet fundamental question: Is art powerful enough to contribute to the cultivation of democracy or is it, rather, powerless? In order to tackle this problem, the author chooses, as a starting point, Walter Bryce Gallie’s explanation of art and democracy as essentially contested concepts. This leads to the necessity of studying the particular role of artistic practices in the open contest over democracy. The chapter first discusses the instrumental role of artistic practices enabling and disabling the stimulation of democracy (propaganda, education, commodification) and continues with an analysis of the function of sovereign autonomous art in the social context. Finally, with reference to Johann Huizinga and Judith Butler, the author argues that the position of art is neither instrumental nor sovereign, but playful. As play, art has the potential to non-radically interrupt any normative system it is irreducibly embedded in, to enrich the contest over democracy with new meaning and to preserve it from atrophy. As such, artistic practices are fundamental to the evolution of democracy.
Název v anglickém jazyce
Democracy, power and powerlessness of art
Popis výsledku anglicky
The systematic rise of proto-totalitarian regimes, the acceleration of neoliberal cultural politics, and the recent pandemic restrictions in European countries have intensified discussions in the cultural sector about the basic, yet fundamental question: Is art powerful enough to contribute to the cultivation of democracy or is it, rather, powerless? In order to tackle this problem, the author chooses, as a starting point, Walter Bryce Gallie’s explanation of art and democracy as essentially contested concepts. This leads to the necessity of studying the particular role of artistic practices in the open contest over democracy. The chapter first discusses the instrumental role of artistic practices enabling and disabling the stimulation of democracy (propaganda, education, commodification) and continues with an analysis of the function of sovereign autonomous art in the social context. Finally, with reference to Johann Huizinga and Judith Butler, the author argues that the position of art is neither instrumental nor sovereign, but playful. As play, art has the potential to non-radically interrupt any normative system it is irreducibly embedded in, to enrich the contest over democracy with new meaning and to preserve it from atrophy. As such, artistic practices are fundamental to the evolution of democracy.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA19-20031S" target="_blank" >GA19-20031S: K nové ontologii společenské soudržnosti</a><br>
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2022
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Play and Democracy: Philosophical perspectives
ISBN
978-0-367-64127-6
Počet stran výsledku
18
Strana od-do
33-50
Počet stran knihy
264
Název nakladatele
Routledge
Místo vydání
London
Kód UT WoS kapitoly
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