Statues of Venus. From Antiquity to the Present

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F22%3A00556754" target="_blank" >RIV/67985955:_____/22:00556754 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.11588/propylaeum.1015" target="_blank" >https://doi.org/10.11588/propylaeum.1015</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.11588/propylaeum.1015" target="_blank" >10.11588/propylaeum.1015</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Statues of Venus. From Antiquity to the Present

Popis výsledku v původním jazyce

The goal of this book has been to explore the statues of Venus. Over the centuries, they have come closer to or farther away from what real women look like. From antiquity until the 21st century, sculptors have oscillated between the ideal (and therefore insipid) beauty characterizing the goddess and the seductive shapes of the body of a living woman, which for various reasons could never fully prevail. In antiquity, this was prevented by the fact that the statue depicted a goddess, in post-ancient Europe, it was primarily due to the taboo of depicting female nudity. Venus could have been depicted as a naked woman with all the racy details, but the viewer would hardly take such a depiction seriously. The artist could have eliminated attractive references to the female body from her portrayal, but how would the viewer be expected to believe that she represents Venus, the mother of Amor?

Název v anglickém jazyce

Statues of Venus. From Antiquity to the Present

Popis výsledku anglicky

The goal of this book has been to explore the statues of Venus. Over the centuries, they have come closer to or farther away from what real women look like. From antiquity until the 21st century, sculptors have oscillated between the ideal (and therefore insipid) beauty characterizing the goddess and the seductive shapes of the body of a living woman, which for various reasons could never fully prevail. In antiquity, this was prevented by the fact that the statue depicted a goddess, in post-ancient Europe, it was primarily due to the taboo of depicting female nudity. Venus could have been depicted as a naked woman with all the racy details, but the viewer would hardly take such a depiction seriously. The artist could have eliminated attractive references to the female body from her portrayal, but how would the viewer be expected to believe that she represents Venus, the mother of Amor?

Druh

B - Odborná kniha

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-3-96929-141-2

Počet stran knihy

280

Název nakladatele

Propylaeum

Místo vydání

Heidelberg

Kód UT WoS knihy

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