Translating in Spite of Stereotypes. On the First Comprehensive Poetic Translation of Seneca’s Tragedies into German

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F22%3A00560855" target="_blank" >RIV/67985955:_____/22:00560855 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1553/wst135s225" target="_blank" >https://doi.org/10.1553/wst135s225</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1553/wst135s225" target="_blank" >10.1553/wst135s225</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Translating in Spite of Stereotypes. On the First Comprehensive Poetic Translation of Seneca’s Tragedies into German

Popis výsledku v původním jazyce

The first poetic translation of all Seneca’s tragedies into German was made in Bohemia, then part of the Habsburg monarchy, in the years 1821–1830 by the national revivalist poet and philologist Václav Alois Svoboda. The translation of the Roman playwright raises a number of questions. It is only interesting that the author was strongly influenced by the Sturm und Drang movement and wrote radical free-thinking poems in the group of patriotic students. We must also consider the influences of neo-humanism, which promoted Greek culture, since the author translated Schiller, Goethe and the poetry of German Romanticism, corresponded with F. de la Motte-Fouqué, J. W. Goethe or W. Humboldt. The autor is looking for aswers to questions: Why Svoboda opposes contemporary contempt for Seneca’s tragedies? What were the reasons why he did not choose some Greek dramas and went against criticism of the period?

Název v anglickém jazyce

Translating in Spite of Stereotypes. On the First Comprehensive Poetic Translation of Seneca’s Tragedies into German

Popis výsledku anglicky

The first poetic translation of all Seneca’s tragedies into German was made in Bohemia, then part of the Habsburg monarchy, in the years 1821–1830 by the national revivalist poet and philologist Václav Alois Svoboda. The translation of the Roman playwright raises a number of questions. It is only interesting that the author was strongly influenced by the Sturm und Drang movement and wrote radical free-thinking poems in the group of patriotic students. We must also consider the influences of neo-humanism, which promoted Greek culture, since the author translated Schiller, Goethe and the poetry of German Romanticism, corresponded with F. de la Motte-Fouqué, J. W. Goethe or W. Humboldt. The autor is looking for aswers to questions: Why Svoboda opposes contemporary contempt for Seneca’s tragedies? What were the reasons why he did not choose some Greek dramas and went against criticism of the period?

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60202 - Specific languages

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Wiener Studien. Zeitschrift für klassische Philologie, Patristik und lateinische Tradition

ISSN

0084-005X

e-ISSN

—

Svazek periodika

—

Číslo periodika v rámci svazku

135

Stát vydavatele periodika

AT - Rakouská republika

Počet stran výsledku

29

Strana od-do

225-253

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85141037643