The Disobedience of Seeing. Steyerl, Foucault, Butler

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F22%3A00576383" target="_blank" >RIV/67985955:_____/22:00576383 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.58519/aesthinv.v5i2.12980" target="_blank" >https://doi.org/10.58519/aesthinv.v5i2.12980</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.58519/aesthinv.v5i2.12980" target="_blank" >10.58519/aesthinv.v5i2.12980</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Disobedience of Seeing. Steyerl, Foucault, Butler

Popis výsledku v původním jazyce

This paper addresses the subject’s relationship to visual culture and its norms. I start from the fact that contemporary visual culture presents itself as a constant circulation of images that always bring with them a certain ‘politics of truth’, which includes a normative framing of what is and is not considered human. I propose the possibility of an ethico-political resistance to this framing on the part of the perceiving subject, who is simultaneously shaped by this framing. First, I focus on the problem of the disobedience of seeing as an ethico-political stance towards the ‘politics of truth’ in the framework of Foucault’s thought as it applies to several of Hito Steyerl’s artworks (‘Politics of Truth’ and ‘The Courage of Truth’). I next discuss the tension between the circulation of images and the agency of the seeing subject with reference to Judith Butler’s ethical and political approach to visual culture, arguing for an ethics of photography that transcends the Foucauldian framework.

Název v anglickém jazyce

The Disobedience of Seeing. Steyerl, Foucault, Butler

Popis výsledku anglicky

This paper addresses the subject’s relationship to visual culture and its norms. I start from the fact that contemporary visual culture presents itself as a constant circulation of images that always bring with them a certain ‘politics of truth’, which includes a normative framing of what is and is not considered human. I propose the possibility of an ethico-political resistance to this framing on the part of the perceiving subject, who is simultaneously shaped by this framing. First, I focus on the problem of the disobedience of seeing as an ethico-political stance towards the ‘politics of truth’ in the framework of Foucault’s thought as it applies to several of Hito Steyerl’s artworks (‘Politics of Truth’ and ‘The Courage of Truth’). I next discuss the tension between the circulation of images and the agency of the seeing subject with reference to Judith Butler’s ethical and political approach to visual culture, arguing for an ethics of photography that transcends the Foucauldian framework.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Aesthetic Investigations

ISSN

2352-2704

e-ISSN

2352-2704

Svazek periodika

5

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

13

Strana od-do

116-128

Kód UT WoS článku

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EID výsledku v databázi Scopus

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