Technologically-mediated auditory experience. Split horizons

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F23%3A00550691" target="_blank" >RIV/67985955:_____/23:00550691 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1007/s11097-021-09794-3" target="_blank" >https://doi.org/10.1007/s11097-021-09794-3</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/s11097-021-09794-3" target="_blank" >10.1007/s11097-021-09794-3</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Technologically-mediated auditory experience. Split horizons

Popis výsledku v původním jazyce

This paper considers the technologically-mediated constitution of auditory experience based on the analogy of a healthy natural soundscape as a well-balanced orchestra in which living creatures use the full range of acoustic frequencies to communicate and survive. Using the idea of (inner) horizonality proposed by Edmund Husserl, I argue that key technological inventions enabling the transmission and recording of sound made possible a new form of experience characterized by split horizonality. This new form of technologically-mediated auditory experience brought with it potential for both creative expression and manipulation. A broader historical trend driven by technology towards individualization that culminated with our present-day experience of constantly connected mobile phones deeply embedded in our everyday lives calls into question the soundness of thinking of our technologically-mediated auditory worlds in terms of the analogy of a healthy natural soundscape as a well-balanced orchestra.

Název v anglickém jazyce

Technologically-mediated auditory experience. Split horizons

Popis výsledku anglicky

This paper considers the technologically-mediated constitution of auditory experience based on the analogy of a healthy natural soundscape as a well-balanced orchestra in which living creatures use the full range of acoustic frequencies to communicate and survive. Using the idea of (inner) horizonality proposed by Edmund Husserl, I argue that key technological inventions enabling the transmission and recording of sound made possible a new form of experience characterized by split horizonality. This new form of technologically-mediated auditory experience brought with it potential for both creative expression and manipulation. A broader historical trend driven by technology towards individualization that culminated with our present-day experience of constantly connected mobile phones deeply embedded in our everyday lives calls into question the soundness of thinking of our technologically-mediated auditory worlds in terms of the analogy of a healthy natural soundscape as a well-balanced orchestra.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/GA20-27355S" target="_blank" >GA20-27355S: Fenomenologická zkoumání zvukových prostředí</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Phenomenology and the Cognitive Sciences

ISSN

1568-7759

e-ISSN

—

Svazek periodika

22

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

16

Strana od-do

525-540

Kód UT WoS článku

000723557400001

EID výsledku v databázi Scopus

2-s2.0-85120076839