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The Age of Free Jongleurs. The Art of the People and the Czech Avant-Garde

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F25%3A00635569" target="_blank" >RIV/67985955:_____/25:00635569 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://doi.org/10.3986/pkn.v48.i1.03" target="_blank" >https://doi.org/10.3986/pkn.v48.i1.03</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.3986/pkn.v48.i1.03" target="_blank" >10.3986/pkn.v48.i1.03</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Age of Free Jongleurs. The Art of the People and the Czech Avant-Garde

  • Popis výsledku v původním jazyce

    This article explores the Czech interwar avant-garde’s interest in folklore and popular culture. Like most of its international counterparts, the Czech avantgarde was convinced that institutions like art and literature had outlived their historical validity. It also had little use for bourgeois conceptions of “the nation” and “the people,” so often seen as the basis of folklore. But it engaged intensely with the cultural legacy of marginalized classes and with the possibility of new ways of expressing the cultural attitudes of the masses, both in the current moment of heightened social struggle, and in a vision of a future society where class differentiation would be abolished alongside the differentiation between specialist artists and non-specialist audiences or consumers. The search for a new art of the people found expression, most notably, in poet Vítězslav Nezval’s demonstrative vitalization of low genres, in artist and theorist Karel Teige’s championing of the circus and urban street culture, which he saw as elements of a “new folk art”, and in literary critic Bedřich Václavek’s attempt to trace the circulation of modern poetry and songs that entered the shared repertoire of emerging classes. This complex interplay of new and old, I argue, offers a model for the prefiguration of a new world that still might survive the end of this one.

  • Název v anglickém jazyce

    The Age of Free Jongleurs. The Art of the People and the Czech Avant-Garde

  • Popis výsledku anglicky

    This article explores the Czech interwar avant-garde’s interest in folklore and popular culture. Like most of its international counterparts, the Czech avantgarde was convinced that institutions like art and literature had outlived their historical validity. It also had little use for bourgeois conceptions of “the nation” and “the people,” so often seen as the basis of folklore. But it engaged intensely with the cultural legacy of marginalized classes and with the possibility of new ways of expressing the cultural attitudes of the masses, both in the current moment of heightened social struggle, and in a vision of a future society where class differentiation would be abolished alongside the differentiation between specialist artists and non-specialist audiences or consumers. The search for a new art of the people found expression, most notably, in poet Vítězslav Nezval’s demonstrative vitalization of low genres, in artist and theorist Karel Teige’s championing of the circus and urban street culture, which he saw as elements of a “new folk art”, and in literary critic Bedřich Václavek’s attempt to trace the circulation of modern poetry and songs that entered the shared repertoire of emerging classes. This complex interplay of new and old, I argue, offers a model for the prefiguration of a new world that still might survive the end of this one.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    60301 - Philosophy, History and Philosophy of science and technology

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2025

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Primerjalna književnost

  • ISSN

    0351-1189

  • e-ISSN

    0351-1189

  • Svazek periodika

    48

  • Číslo periodika v rámci svazku

    1

  • Stát vydavatele periodika

    SI - Slovinská republika

  • Počet stran výsledku

    20

  • Strana od-do

    39-58

  • Kód UT WoS článku

    001492182300004

  • EID výsledku v databázi Scopus

    2-s2.0-105004244333