The Wandering Jew in Czech Fine Art: Anti-Semitism, Empathy, Self-Identification

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F19%3A00521072" target="_blank" >RIV/68378033:_____/19:00521072 - isvavai.cz</a>

Výsledek na webu

<a href="https://muse.jhu.edu/issue/42036/doc/editorial.html" target="_blank" >https://muse.jhu.edu/issue/42036/doc/editorial.html</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.3828/aj.2019.15.5" target="_blank" >10.3828/aj.2019.15.5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Wandering Jew in Czech Fine Art: Anti-Semitism, Empathy, Self-Identification

Popis výsledku v původním jazyce

Although in German-speaking countries the earliest visual representations of Ahasver stem from the seventeenth century, we find the first depictions of the Wandering Jew in Czech fine art only in the nineteenth century. It is a complex subject reflecting Christian–Jewish relations which has not yet been sufficiently addressed in Czech art history. Initially fueled by anti-Semitic excesses at the turn of the nineteenth and twentieth centuries, and especially during World War II, the Ahasverian theme continued to appear throughout the twentieth century. At the beginning of the twenty-first century Czech artists are still attracted to this iconographic motif. The article analyzes the development of this motif in Czech visual culture and sheds some light on its appearance in Czech art created by artists of Jewish origin.

Název v anglickém jazyce

The Wandering Jew in Czech Fine Art: Anti-Semitism, Empathy, Self-Identification

Popis výsledku anglicky

Although in German-speaking countries the earliest visual representations of Ahasver stem from the seventeenth century, we find the first depictions of the Wandering Jew in Czech fine art only in the nineteenth century. It is a complex subject reflecting Christian–Jewish relations which has not yet been sufficiently addressed in Czech art history. Initially fueled by anti-Semitic excesses at the turn of the nineteenth and twentieth centuries, and especially during World War II, the Ahasverian theme continued to appear throughout the twentieth century. At the beginning of the twenty-first century Czech artists are still attracted to this iconographic motif. The article analyzes the development of this motif in Czech visual culture and sheds some light on its appearance in Czech art created by artists of Jewish origin.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/DG18P02OVV039" target="_blank" >DG18P02OVV039: Obraz nepřítele. Vizuální projevy antisemitismu v českých zemích od středověku po současnost</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Ars Judaica. The Bar-Ilan Journal of Jewish Art

ISSN

1565-6721

e-ISSN

—

Svazek periodika

15

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

IL - Stát Izrael

Počet stran výsledku

24

Strana od-do

47-70

Kód UT WoS článku

000520042300005

EID výsledku v databázi Scopus

2-s2.0-85082826209