The Novena to Saint Teresa of Jesus and the Work of Prague Composers around 1720

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F20%3A00533969" target="_blank" >RIV/68378033:_____/20:00533969 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11104/0312199" target="_blank" >http://hdl.handle.net/11104/0312199</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Novena to Saint Teresa of Jesus and the Work of Prague Composers around 1720

Popis výsledku v původním jazyce

This study concerns music composed for the Novena to Saint Teresa of Ávila, a nine-day public devotion, first performed by the Discalced Carmelite nuns in Graz in 1718 and thereafter introduced to other Discalced Carmelite monasteries. The Prague composer Joseph Brentner (1689–1742) composed nine litanies and antiphons to St Teresa for this festivity, and music for the Novena was also composed by Antonín Reichenauer (ca 1696–1730) and Johann Adam Scheibl (1710–1773). Brentner’s and Reichenauer’s antiphons, which were written over the course of several years, have opened up the possibility of considering the existence of a certain local creative dialogue, ongoing stylistic changes or differences in the abilities of the two composers. Compared with Brentner, Reichenauer had a greater command of the instrumental ritornello and a more innovative approach to rhythmic structure. Both composers sought a wider application of their works, which were disseminated additionally as offertories or with more universal texts. Although Brentner comes off the worse when comparing compositional abilities, his compositions have become much more widespread.

Název v anglickém jazyce

The Novena to Saint Teresa of Jesus and the Work of Prague Composers around 1720

Popis výsledku anglicky

This study concerns music composed for the Novena to Saint Teresa of Ávila, a nine-day public devotion, first performed by the Discalced Carmelite nuns in Graz in 1718 and thereafter introduced to other Discalced Carmelite monasteries. The Prague composer Joseph Brentner (1689–1742) composed nine litanies and antiphons to St Teresa for this festivity, and music for the Novena was also composed by Antonín Reichenauer (ca 1696–1730) and Johann Adam Scheibl (1710–1773). Brentner’s and Reichenauer’s antiphons, which were written over the course of several years, have opened up the possibility of considering the existence of a certain local creative dialogue, ongoing stylistic changes or differences in the abilities of the two composers. Compared with Brentner, Reichenauer had a greater command of the instrumental ritornello and a more innovative approach to rhythmic structure. Both composers sought a wider application of their works, which were disseminated additionally as offertories or with more universal texts. Although Brentner comes off the worse when comparing compositional abilities, his compositions have become much more widespread.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hudební věda

ISSN

0018-7003

e-ISSN

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Svazek periodika

57

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

37

Strana od-do

254-290

Kód UT WoS článku

000589480800001

EID výsledku v databázi Scopus

2-s2.0-85093698366